Strauss’ “Metamorphosen”: In Memoriam
When the Nazis rose to power in Germany in the 1930s, Richard Strauss was ambivalent at first. He only wanted to be left alone to compose the next opera. In a letter, Strauss observed, with grudging pragmatism, “I made music under the Kaiser…I’ll survive under this one as well.” For a while, Strauss placated the Nazis, attempting to use his position as a preeminent composer to protect his Jewish daughter-in-law and her …