Stravinsky’s Jazz-Inspired “Ebony Concerto”

Earlier in the month, we listened to Leonard Bernstein’s 1949 Prelude, Fugue, and Riffs, a uniquely-American hybrid of classical music and jazz, written for Woody Herman’s big band. (Due to the band’s 1946 dissolution, Benny Goodman gave the piece’s premiere). This reminded me of the Ebony Concerto, a similarly jazz-inspired work written for Herman by Igor Stravinsky a few years earlier in 1945. Stravinsky developed a fascination with jazz as early as 1916 when he said, I …

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Time For Three’s “Firework” Cover

The eclectic string trio, Time For Three isn’t interested in categories. The original members, violinists Nick Kendall and Zachary DePue and double bassist Ranaan Meyer, began jamming together as students at the Curtis Institute of Music in Philadelphia. The result was a vibrant and free-flowing mix of musical styles and genres, including bluegrass, jazz, rock, and hip-hop. This “classically trained garage band” continued to perform together after Curtis, although DePue left to become concertmaster of the Indianapolis …

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Five Musical Fireworks

It’s ironic that Independence Day in America isn’t complete without Tchaikovsky’s most famous ode to Russian nationalism: the bombastic 1812 Overture, which was written to commemorate the defeat of Napoleon’s invading army. As we head into the July Fourth holiday weekend, here are five more pieces that bring fireworks to mind: Handel: Music for the Royal Fireworks In 1749, England’s King George II employed Handel to write music for a large, outdoor public celebration in …

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Remembering Joseph Silverstein

Legendary violinist, conductor, and teacher Joseph Silverstein passed away yesterday in Boston. He was 83. Born in Detroit, the son of a public school music educator, Silverstein studied with Efrem Zimbalist, William Primrose, Josef Gingold, and Mischa Mischakoff. He served as concertmaster of the Boston Symphony for 22 years, beginning in 1962. In 1971 he was appointed assistant conductor of the BSO. He was music director of the Utah Symphony between 1983 …

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Dmitry Sinkovsky’s Hardcore Vivaldi

  There’s an old joke that Antonio Vivaldi didn’t write 500 concertos, he wrote the same concerto 500 times. Vivaldi’s own performances were undoubtedly infused with a virtuosic freedom and sense of spontaneity that grew out of improvisation and ornamentation. Robbed of these elements, modern performances of Vivaldi can sometimes sound formulaic, like bland elevator music. But if you want to hear just how exciting and adventurous Vivaldi’s music can be, listen …

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On the Town with Misty Copeland

  Tomorrow, Misty Copeland, the first African-American woman to be named a principal dancer with the American Ballet Theater, will begin a two week stint on Broadway. Copeland will join the cast of the latest production of On the Town, playing the role of Ivy Smith. Here is a preview and here is Terry Teachout’s review of the production. In the world of ballet, Misty Copeland is a ground breaker, redefining long-held views regarding the …

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Stravinsky’s Illegal "Star Spangled Banner" Arrangement

Did the Boston Police really arrest Igor Stravinsky in 1943 for adding a dominant seventh chord to the Star Spangled Banner? The unlikely mug shot, above, seems to back up the story…until you look carefully at the date. The tale is an enticing urban legend of twentieth century music history, rooted in a few grains of truth. The “mug shot” was actually taken for a 1940 visa application. Stravinsky emigrated to the United …

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