Thomas Newman and the New, Ambient Film Score

Today is the birthday of American film composer Thomas Newman (b. 1955). Newman’s scores include Bridge of Spies (2015), Finding Nemo (2003), Road to Perdition (2002), American Beauty (1999), and The Shawshank Redemption (1994). His father, Alfred Newman, was one of Hollywood’s most important and influential composers in the early days of film scoring. Those early days were often characterized by sweeping, lushly Romantic melodies and large orchestral colors. In recent years, as the style of filmmaking has …

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The 2017 Oscars: Nominees for Best Original Score

The 89th Academy Awards are coming up this Sunday. Here are some excerpts from this year’s nominees for “Best Original Score: “Moonlight” (Nicholas Britell) Nicholas Britell’s score for Moonlight alters and manipulates sound in a way that is similar to expressive techniques used in cinematography. In this interview with The Frame, the Juilliard-trained pianist and composer said, Barry [Jenkins, the director] told me right from the beginning about his love of “chopped and screwed” music, which …

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The 2016 Oscars: Nominees for Best Original Score

With the 88th Academy Awards ceremony coming up this Sunday, let’s finish the week with some film music. Here are this year’s nominees for “Best Original Score,” along with a few audio samples: “Carol” (Carter Burwell) This atmospheric score seems to pay homage to the musical language of Philip Glass. This passage contains all of the hallmarks of Glass’ vocabulary: a simple melody that grows out of repeating, undulating piano lines, triad-laden …

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