New Release: Mendelssohn Symphonies, Yannick Nézet-Séguin and the Chamber Orchestra of Europe

This is Italy! And now has begun what I have always thought… to be the supreme joy in life. And I am loving it. Today was so rich that now, in the evening, I must collect myself a little, and so I am writing to you to thank you, dear parents, for having given me all this happiness. Felix Mendelssohn wrote these word from Venice in October, 1930 around the time he …

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The Dreamy Nostalgia of Barber’s “Knoxville: Summer of 1915”

It has become that time of evening when people sit on their porches, rocking gently and talking gently and watching the street and the standing up into their sphere of possession of the trees, of birds hung havens, hangars… The opening line of Samuel Barber’s Knoxville: Summer of 1915 for voice and orchestra paints this dreamy, nostalgic scene of a summer, and America, long past. It’s a partial setting of James Agee’s autobiographical fragment …

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New Release: Haydn’s “Sun” Quartets, Performed by the Chiaroscuro

Is it possible to hear seeds of Romanticism in the string quartets of Franz Joseph Haydn? Recently, as I was listening to the Chiaroscuro Quartet’s newest album, this thought crossed my mind. The recording features Haydn’s Op. 20 “Sun” Quartets Nos. 4-6. (Last year, the ensemble released the first three quartets of the Op. 20 set). They approach the music from a historical perspective with gut strings, baroque bows, and limited vibrato. But there …

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Mahler Turns 157

Today marks the 157th anniversary of the birth of Gustav Mahler. Mahler was born on July 7, 1860 in the sleepy village of Kaliště (population 330) in what is now the Czech Republic. He was only a few months old when his parents moved the family to the larger regional center of Jihlava. (The city’s German name is Iglau). Below is a live concert performance of Mahler’s Fifth Symphony from this past March. Andrés Orozco-Estrada …

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“Rabbit and Rogue”: Danny Elfman’s Larger-Than-Life Ballet Score

Danny Elfman’s film and television scores frequently exhibit a kind of quirky, slightly deranged humor. For example, listen to the zany music which accompanies “The Breakfast Machine” scene from the 1985 comedy, Pee-wee’s Big Adventure, in which the persistent pulse of Khachaturian’s Sabre Dance meets 1920s Kurt Weill. I love the way the mechanized madness of that scene is launched by that quiet, initial rhythmic vamp in the bells. Something similar to those chimes from Pee-wee’s Big Adventure …

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“The Stars and Stripes Forever”: Three Historic Recordings

John Philip Sousa’s most famous march was written on Christmas Day, 1896 during a transatlantic ocean liner voyage. Returning home from a European holiday, the composer had just learned of the death of his band’s manager, David Blakely. Sousa likely waited until he reached land to commit the actual notes to paper. But, according to his own account, the complete march entered his mind in a flash and continued to haunt him throughout …

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