Berlioz’ “King Lear” Overture: At the Intersection of Truth and Delusion

When we are born, we cry that we are come to this great stage of fools. -William Shakespeare, “King Lear” King Lear, Shakespeare’s 1606 tragedy in five acts, takes us to the intersection of truth and delusion. The aging King Lear decides to divide his realm amongst his three daughters. He determines that the shares will be allocated in proportion to the eloquence of each daughter’s declaration of love. The insincere and …

Read more

Takemitsu’s “Toward the Sea”: Entering the Spiritual Domain

Let the most absent-minded of men be plunged in his deepest reveries – stand that man on his legs, set his feet a-going, and he will infallibly lead you to water…Yes, as everyone knows, meditation and water are wedded forever. -Herman Melville, “Moby-Dick” The ocean took on metaphysical significance not only for Herman Melville but also for the twentieth century Japanese composer, Tōru Takemitsu (1930-1996). Takemitsu, whose music is filled with evocations …

Read more

Dvořák’s “Slavonic Dances”: Sublime Bohemian Miniatures

Today marks the 180th anniversary of the birth of Antonín Dvořák (1841-1904). The legacy of the famous Czech Romanticist includes monumental symphonies, nationalistic tone poems, chamber music, opera, and the soulful and nostalgic Cello Concerto. Yet, it was the sixteen Slavonic Dances, almost singlehandedly, that lifted Dvořák out of relative obscurity and poverty. These sublime Bohemian miniatures were published in two sets (Op. 46 and 72) in 1878 and 1886. In a letter to Brahms, the …

Read more

Handel’s Suite No. 5 in E Major: “The Harmonious Blacksmith”

George Frideric Handel composed the Eight Great Suites for harpsichord around 1718 when he was employed as house composer at Cannons in Middlesex, England. By 1720, he became aware of error-ridden pirated copies of the music circulating throughout continental Europe. When the set was published, Handel included the following  explanation in the preface of the London edition: I have been obliged to publish some of the following Lessons, because surrepticious and incorrect Copies of …

Read more

Smetana’s “The Bartered Bride” Overture: A Zany Tour de Force

Bedřich Smetana’s 1866 comic opera, The Bartered Bride, follows a classic and timeless plot line: Mařenka, a farmer’s daughter falls in love with Jeník, the son of a landowner. Despite the efforts of ambitious parents and a scheming marriage broker to derail the relationship, true love prevails. Set in a rustic Bohemian village, the opera is a celebration of Czech folk music. It erupts with spirited dance forms such as the polka and furiant. The three …

Read more

Dvořák’s Sixth Symphony: Sunny Bohemian Pastures

Antonín Dvořák’s Symphony No. 6 is the music of sunny Bohemian pastures. Warm, effortlessly flowing melodies meet the fiery, exuberant rhythms of a Czech folk dance. A sense of blissful, bucolic grandeur permeates the entire Symphony. As the biographer Otakar Sourek noted, “it breathes the sweet fragrance and unspoiled beauty of Czech woods and meadows.” Dvořák’s first five symphonies can be heard as exercises in the mastery of the form. In the …

Read more