Arvo Pärt’s “Fratres”: Activity and Stasis

Fratres, meaning “brothers” in Latin, has been described as “a mesmerizing set of variations on a six-bar theme combining frantic activity and sublime stillness.” Composed in 1977 by Estonian composer Arvo Pärt (b. 1935), Fratres is set in three parts, without fixed instrumentation. With the serene timelessness of medieval organum, a chant-like melody floats over a drone made up of the pitches A and E. A percussive motif recurs between chord sequences. The structure …

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Arvo Pärt’s Cantus in Memory of Benjamin Britten: Sound and Silence

“How we live depends on our relationship with death: how we make music depends on our relationship to silence,” writes Paul Hillier in his biography of Estonian composer Arvo Pärt (b. 1935). Sound and silence meet in Pärt’s Cantus in Memory of Benjamin Britten, scored for string orchestra and a single bell, sounding on the pitch of A. Composed in 1977, the work employs Pärt’s tintinnabulation style, rooted in Gregorian chant. It is …

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