Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Ives’ “Elegie”: A Yankee Take on the French Chanson

by

Charles Ives’ 1901 song, Elegie is haunting and hypnotic. Its gloomy and forlorn text, a setting of a poem by Louis Gallet, expresses the heartache of a narrator whose beloved is forever gone. The blue skies and birdsongs of springtime are replaced with late autumnal chill. The vocal line rises over an unrelenting rhythmic ostinato which begins to render time infinite and unmeasurable. French composer Jules Massenet wrote a song using the …

Read more

Bach’s Violin Sonata No. 1 in G Minor, BWV 1001: James Ehnes at Home

by

J.S. Bach’s six Sonatas and Partitas for Solo Violin are technical and musical marvels. They transform the violin, an instrument usually associated with a single melodic line, into a vehicle of dazzling polyphony. The collection begins with the purity and resonance of G minor, a key which is centered on the open fifths of the violin’s lowest two strings. The Adagio which opens the Violin Sonata No. 1 in G minor, BWV …

Read more

Handel’s Sinfonia in B-flat Major, HWV 339: Ensemble Diderot

by

The Sinfonia in B-flat Major, HWV 339 is music of the young George Frideric Handel. It was probably composed in Hamburg between 1704 and 1706, in the years before Handel’s move to London. No autograph manuscript exists, and it remained unpublished until 1979. The Sinfonia unfolds in three movements (fast-slow-fast). As a composer, Handel was skillful at borrowing and adapting existing music. The Sinfonia’s opening movement (Allegro) was taken from the composer’s …

Read more

Dvořák’s “The Noon Witch”: A Slavic Horror Story Told Through Music

by

In Slavic mythology, Polednice, the Noon Witch, is a demonic figure who is known to emerge in the middle of the hottest summer days, causing farmers working in the fields to suffer heatstroke or insanity. The poem, Polednice, by the Czech folklorist, Karel Jaromír Erben (1811-1870), tells the story of a mother who, while preparing lunch, is desperate to quiet a young child who screams for attention. She warns her son that …

Read more

Mendelssohn’s Fifth Symphony, “Reformation”: Commemorating the Protestant Revolution

by

The Protestant Reformation changed the world forever. Anticipating ideals of the Enlightenment, which swept across Europe in the 17th and 18th centuries, it was a revolutionary movement which challenged the authority of the Catholic hierarchy, elevated the sanctity of the individual, and affirmed his direct relationship with God. The 20-year-old Felix Mendelssohn chose to celebrate these exalted ideals, not with a choral work, but with a dramatic symphony. Completed in 1830, the …

Read more

Ives’ “Calcium Light Night”: Sounds of a Nineteenth Century Fraternity Party

by

For years, “Calcium Night” was a boisterous tradition at Yale University, where Charles Ives was a student between 1894 and 1898. Students wishing to join a fraternity paraded around the campus, singing their fraternity’s song under the glow of a calcium light, the “limelight” used on theater stages before electricity. (The calcium light was so blinding that it was used during the American Civil War to illuminate artillery targets, and on navel …

Read more

David Diamond’s String Quartet No. 3: From Adventure to Elegy

by

Rooted in diatonic and modal harmony, much of the music of American composer David Diamond (1915-2005) unfolds as a dynamic weave of contrapuntal voices. It flows in a seemingly continuous stream, in which one phrase opens into the next without resolution. Listening to this music, we are forced to celebrate the magic of each fleeting moment. Diamond composed his String Quartet No. 3 in 1946, shortly after the end of the Second …

Read more