Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

New Release: Tchaikovsky’s “The Nutcracker,” Gustavo Dudamel and the LA Phil

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Tchaikovsky’s ballet, The Nutcracker, was received with ambivalence when it premiered at Saint Petersburg’s Imperial Mariinsky Theatre in December, 1892. Now, over a century later, E.T.A Hoffmann’s heroic story of death and rebirth comes alive on ballet stages around the world as a staple of the holiday season. It’s a piece filled with haunting melancholy and dreamy, shimmering magic. All of this can be heard in Tchaikovsky’s music, with its exotic, soaring melodies and lush, colorful orchestration. In …

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Change Ringing: St. Mary Redcliffe, Bristol

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Queen Elizabeth I described it as “the fairest, goodliest, and most famous parish church in England.”  This Christmas Eve we go to the over 900-year-old St. Mary Redcliffe in Bristol, UK to hear a spectacular example of English change ringing. The church’s fifteen bells are ordered in a series of seemingly-endless mathematical permutations, known as “changes.” This clip will give you an idea of the precision required in this type of bell ringing. With today’s …

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Benjamin Britten’s “A Hymn to the Virgin”: VOCES8

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Benjamin Britten composed A Hymn to the Virgin at the age of 16 while a student at Gresham’s School in Norfolk, England. Yet there is nothing remotely youthful or immature about this brief work for unaccompanied double chorus. It unfolds with a sense of haunting mystery and quiet lament that seems timeless. The anonymous text, dating from around 1300, comes from the Oxford Book of English Verse. In an expansive, antiphonal dialogue, the main chorus sings in …

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Bach’s Unopened Résumé: Brandenburg Concerto No. 6

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Today’s post concludes our survey of Bach’s six Brandenburg Concertos. Follow these links to revisit the First, Second, Third, Fourth, and Fifth Concertos. J.S. Bach’s six Brandenburg Concertos are thrillingly disobedient rule breakers. They are examples of the Baroque concerto grosso form, developed by Italian composers like Vivaldi, in which small groups of solo instruments engage in a vibrant dialogue with the full, large (grosso) ensemble. But they frequently turn this existing model on its …

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New Release: The Tesla Quartet Plays Haydn, Ravel, Stravinsky

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The Tesla Quartet’s exciting debut album was released in September. The recording features two twentieth century works that look back at the classical era- Ravel’s String Quartet in F Major and Stravinsky’s Concertino for String Quartet- as well as the bold, innovative String Quartet in C Major, Op.54 No.2 by Franz Joseph Haydn, who is often called the “father of the string quartet.” Additionally, we hear three Ravel piano miniatures- Menuet sur le nom d’Haydn, Menuet antique, and Menuet …

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Howard Hanson’s “Nordic” First Symphony: A Majestic, Neo-Romantic Soundscape

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At one time, twentieth century American composer Howard Hanson (1896-1981) was dismissed as a hopelessly conservative musical renegade. In the 1950s and 60s, at a time when atonality was dominant among the academic establishment, Hanson’s music embraced a warmly melodic, Neo-Romantic sound world. Born in the small prairie town of Wahoo, Nebraska to Swedish immigrant parents, Hanson wrote music which grew out of the austere harmonic language and dark, brooding orchestration of Scandinavian …

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Radek Baborák Plays Mozart

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“You’ve got to hear this horn player named Radek Baborák,” urged one of my Richmond Symphony colleagues during a recent conversation. To hear the extent of Baborák’s technical finesse and musicianship, one only needs to listen to his performance of the famous horn call from Richard Strauss’ Till Eulenspiegel. Born in Czechoslovakia, Radek Baborák began playing the horn at age eight, was winning competitions by twelve, and became principal horn of the Czech Philharmonic at eighteen. He …

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