Remembering Maurizio Pollini

Maurizio Pollini, the acclaimed Italian pianist whose career spanned more than six decades, passed away on March 23 in a clinic in his native Milan. He was 82. La Scala, the opera house where Pollini frequently performed,  hailed the Grammy-winning pianist as “one of the great musicians of our time and a fundamental reference in the artistic life of the theater for over 50 years.” Pollini began performing publicly at age 11, …

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Sondheim’s “Not While I’m Around”: A Chilling Take on the Soaring Ballad

Today marks the 94th anniversary of the birth of Stephen Sondheim, who passed away in 2021. Sondheim’s multifaceted songs were always conceived with a dramatic situation in mind. Taken as stand-alone works, they become vignettes of character and drama. Not While I’m Around comes from the second act of Sondheim’s 1979 musical thriller, Sweeney Todd: The Demon Barber of Fleet Street, in which a vengeful barber gives multiple victims the ultimate close shave, …

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Gershwin’s “An American in Paris”: A “Rhapsodic Ballet” Born in the Jazz Age

In the spring of 1928, George and Ira Gershwin traveled to Europe for a three-month sojourn. The brothers, among the most celebrated composer-lyricist teams on Broadway, had just finished work on the musical, Rosalie, produced by Florenz Ziegfeld, and they relished the time off. It was during this trip that George Gershwin set to work on a commission he had received from the New York Philharmonic. The result was the vividly evocative …

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Michael Torke’s “Unseen” (No. 7): Embracing an Ecstatic Groove

The first single from Unseen, the newest work by American composer, Michael Torke, was released last week. (The full album will be available on May 10). The excerpt, No. 7 from a piece which unfolds in nine brief movements, delivers a visceral and ecstatic sense of groove. Scored for a larger ensemble, Unseen continues in the direction of Torke’s recent chamber albums, Being (2020), Psalms and Canticles (2021), and Time (2022). The composer writes, Unifying these four projects is the …

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Nikolai Tcherepnin’s Prelude to “La Princesse Lointaine”: A Celebration of Orchestral Color

Edmond Rostand’s 1895 play, La Princesse Lointaine (“The Distant Princess”), was inspired by medieval romantic legend, and the archetype of the knight errant pursuing an unattainable, idealized love: On the enchanting coasts of Provence, and under its bright blue skies, an echo bears from east to west news of a lady divinely beautiful, the pearl of Byzantium, the famous Princess Melisande. A young troubadour, Prince Geoffroy, hears of the beautiful princess. She …

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Scriabin’s Fantasie in B Minor: A Dramatic Tour de Force

The story, recounted by the Russian musicologist, Leonid Sabaneyev, is so incredible that it may have been apocryphal. One day, while in Alexander Scriabin’s Moscow flat, Sabaneyev sat down at the piano and began to play a theme from Scriabin’s Fantasie in B minor, Op. 28. The composer called out from the next room, “Who wrote that? It sounds familiar.” “Your Fantasie,” was the response. “What Fantasie?” Composed in 1900 during Scriabin’s …

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Haydn’s Symphony No. 104 in D Major: A Triumphant Farewell to London

With Symphony No. 104 in D Major, Franz Joseph Haydn bid a triumphant farewell to London. Composed in 1795, this was the last symphony Haydn would write, and the final installment in the set if 12 “London” symphonies the composer presented over the course of his two trips to the bustling English capital. For 29 years between 1761 and 1790, Haydn was employed as kapellmeister of Esterházy Court. Isolated in the Austrian-Hungarian …

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