Baroque Period

Bach’s Prelude and Fugue in E-flat Major, BWV 852, Pieter-Jan Belder

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The Dutch harpsichordist Pieter-Jan Belder considers Bach’s Prelude and Fugue in E-flat Major (No. 7 from Book 1 of The Well-Tempered Clavier) to be a significant emotional departure from the preceding pieces in the set. “When you get to this Prelude, you’re in another world,” he says. Indeed, from the opening bars a sublime, ever-rising conversation unfolds between two voices—one high, and the other low. This opens the door to an expansive chorale …

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Joyful Sounds of Praise: Five Musical Settings of Psalm 150

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Today marks the 1,000th post of The Listeners’ Club. In celebration of this milestone, I want to thank our growing community of readers and subscribers, and all who take time to comment and share this incredible music with friends. Praise God in His sanctuary; praise Him in the firmament of His power. Praise Him for His mighty acts; praise Him according to His abundant greatness. Praise Him with the blast of the …

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Handel’s “Trionfo del Tempo”: Amanda Forsythe and Voices of Music

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In the aria, Tu del Ciel ministro eletto (“You, elected minister of Heaven”), George Frideric Handel evokes the continuous flow of time, melting into eternity. This is the cosmic concluding aria from Trionfo del Tempo (“The Triumph of Time and Truth”), Handel’s first oratorio, written in the spring of 1707. It is one of only two oratorios Handel set in Italian. (The twenty-two year old composer was living in Rome at the time). …

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Handel’s Musical Depictions of Birdsong

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Sweet bird, that shun’st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among, I woo to hear thy even-song. Or, missing thee, I walk unseen, On the dry smooth-shaven green, To behold the wand’ring moon Riding near her highest noon. -John Milton, Il Penseroso  George Frideric Handel set these lines to music in his 1740 secular oratorio, L’Allegro, il Penseroso ed il Moderato (“The Cheerful, the Thoughtful, and the …

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Bach’s Prelude and Fugue in B-flat Minor, BWV 867, Kris Verhelst

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It’s time to return to the Netherlands Bach Society for another recently released performance. Every Friday the organization adds a new high quality video recording to its website as part of its All of Bach initiative. The project will conclude with a complete catalogue of J.S. Bach’s works in time for the Netherlands Bach Society’s centenary in 2022. Here, the Belgian harpsichordist Kris Verhelst performs Bach’s Prelude and Fugue No. 22 in B-flat minor, …

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Remembering Anner Bylsma

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The Dutch cellist Anner Bylsma passed away last Thursday in Amsterdam. He was 85. Bylsma will be remembered as a profound and influential interpreter of J.S. Bach’s six solo Cello Suites. His book, Bach, the Fencing Master provides a treatise for historically informed performance practice. For six years (from 1962-1968) Bylsma served as principal cellist of the Royal Concertgebouw Orchestra. In a social media statement, cellist Steven Isserlis called him “a wonder—soaringly imaginative, utterly original and …

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Bach’s Prelude and Fugue in F Minor, BWV 857, Pieter Dirksen

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Every Friday the Netherlands Bach Society adds a new high quality video recording to its website as part of its All of Bach initiative. Their goal is to perform all of J.S. Bach’s works in the run-up to the organization’s centenary in 2022. One of the recent additions to their Youtube channel is harpsichordist and musicologist Pieter Dirksen’s performance of Bach’s Prelude and Fugue in F minor, BWV 857. This is the twelfth …

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