Chamber Music

Hugh Sung Launches "A Musical Life" Podcasts

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  Korean-American pianist Hugh Sung can be described as a musical Renaissance man. A graduate of the Curtis Institute of Music, Sung has performed throughout the world, collaborating with soloists such as Hilary Hahn, Leila Josefowicz, and Julius Baker, longtime principal flutist with the New York Philharmonic. As a techie and entrepreneur, Hugh Sung was one of the first professional musicians to imagine performances utilizing digital music scores (beginning with Microsoft’s Tablet …

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Music of Romantic Obsession

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From Vincent Van Gogh to Charlotte Brontë, artists, writers, and composers have occasionally entered the strange, darkly irrational world of romantic obsession. With Halloween approaching, let’s take a walk on the creepy side and explore three pieces which grew out of (what some would call) unhealthy romantic obsessions: Berlioz’ Symphonie fantastique Written partially under the influence of opium, Hector Berlioz’ Symphonie fantastique takes us into strange, hallucinogenic territory. It summons new sounds from the orchestra, which must …

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The Mercurial Romanticism of Schumann’s Fantasiestücke, Op. 73

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Listening to Robert Schumann’s Fantasiestücke, Op. 73 forces us to live in and enjoy the moment. The three short “Fantasy Pieces,” written in just over two days in February, 1849, are filled with abrupt, slightly schizophrenic, changes in mood. Moments of deep introspection, followed by bursts of euphoria, remind us of Florestan and Eusebius, the split personalities which inhabit much of Schumann’s music. In the Fantasy Pieces, each delightful and unexpected harmonic shift whisks …

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Through the Looking-Glass: Caroline Shaw’s "Entr’acte"

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You might not expect a contemporary American composer in her early 30s to be influenced by the music of Franz Joseph Haydn. But the Menuet of Haydn’s Op. 77, No. 2 String Quartet was the key that unlocked Caroline Shaw’s Entr’acte, a 2011 work for string quartet. Shaw explains, Entr’acte was written in 2011 after hearing the Brentano Quartet play Haydn’s Op. 77 No. 2 — with their spare and soulful shift to the D-flat major trio in the …

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Giora Schmidt’s New Violin

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American-Israeli violinist Giora Schmidt challenges the assumption that old Italian violins are superior to modern instruments. In 2011, Schmidt purchased a violin, made in 2000, by Philadelphia-based luthier Hiroshi Iizuka. For about eight years before, he had played fine Italian instruments on loan: a 1753 Milan Guadagnini and a 1743 Guarneri del Gésu. Million dollar-plus price tags often make these violins inaccessible to performers, who rely on generous donors. Schmidt was one of ten violinists who participated in the …

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Perlman Turns 70

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A belated happy birthday to Itzhak Perlman who turned 70 on Monday. Perlman rose to prominence during the second half of the twentieth century, displaying musical warmth, technical panache, and an unusually thick, singing tone, rich in overtones. He is one of only a handful of front rank musicians who have also achieved celebrity status. In 1964, at the age of 18, he captured public attention with an appearance on the Ed Sullivan Show. …

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Live Concert Recording: Gingold Plays Fauré

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Over the weekend, I ran across this amazing 1966 live concert recording of Josef Gingold performing Gabriel Fauré’s First Violin Sonata. The recording’s sound quality isn’t the best. But the essence of Gingold’s soulful, sweetly vibrant tone and smooth, golden phrasing cuts through the tape hiss and audience noise. In a recent interview Joshua Bell described the tone that poured out of Gingold’s Strad as, “the most beautiful sound of any violinist, to …

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