Remembering György Pauk

György Pauk, the renowned Hungarian violinist and teacher, passed away last Monday, November 18 in Budapest. He was 88. Pauk lost both of his parents to the Holocaust. He was raised by his grandmother in a Budapest ghetto where he experienced “hunger, cold, and fear.” Pauk began playing the violin at the age of 5. At 13, he was admitted to the Franz Liszt Academy of Music, where his teachers included violinist …

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Mozart’s Piano Concerto No. 14 in E-flat Major, K. 449: Magically Peculiar

In May of 1784, while reflecting on his three most recently completed piano concerti (Nos. 14, 15, and 16), Mozart insisted that he “could not choose between them,” but that “the one in E-flat [No. 14] does not belong at all to the same category. It is one of a quite peculiar kind…” Piano Concerto No. 14 in E-flat Major, K. 499 is intimate chamber music. Unlike Mozart’s later concerti, the wind …

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Haydn’s Trumpet Concerto in E-flat Major: A Thrilling Technical Experiment

When Franz Joseph Haydn composed his Trumpet Concerto in E-flat Major in 1796, he was at the forefront of a thrilling new technical experiment. Traditionally, the valveless natural trumpet was limited to the pitches of the overtone series. In the lower register, these pitches amounted to bugle call notes. In classical symphonies, trumpets were used sparingly to punctuate climaxes with celebratory fanfares. Only in its highest register could the natural trumpet access …

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Haydn’s “Mass in Time of War”: Martial Fanfares and Thundering Timpani

A revolutionary current runs through Franz Joseph Haydn’s Mass in Time of War (Mass No. 10 in C Major). It approaches the liturgy with a new sense of tumultuous drama, with military fanfares ringing out in the closing movement. The rumbling artillery of its timpani rolls earned the work the nickname, Paukenmesse (“Kettledrum Mass”). In a way which foreshadows Beethoven’s Missa solemnis, the instrumental lines take on new dramatic prominence, rather than …

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Mozart’s String Quartet No. 21 in D Major, K. 575: Music for a Prussian King

In June of 1789, the 33-year-old Mozart began writing a set of six string quartets for Friedrich Wilhelm II, the King of Prussia, a passionate music lover and a fine amateur cellist. Mozart had played at the King’s Potsdam court during a tour the previous spring. Ultimately, Mozart was unable to fulfill the commission. After completing the first Quartet (K. 575), he became occupied with the opera, Così fan tutte. He returned to …

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Mozart’s “The Marriage of Figaro” Overture: A Wild and Exhilarating Ride

Mozart’s 1786 comic opera in four acts, The Marriage of Figaro, K. 492, is filled with trickery, deception, overheard conversations, cunning disguises, and crazy schemes. Unfolding over the course of a single “day of madness,” it tells the story of two servants, Figaro and Susanna, who succeed in getting married despite the efforts of their lecherous employer, Count Almaviva. The play by Pierre Beaumarchais, on which the opera was based, faced censorship because …

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Mozart’s “Eine Kleine Nacht-Musik”: A Cheerful Nocturnal Serenade

Mozart’s G major string Serenade No. 13, commonly known as Eine kleine Nachtmusik (“A Little Night Music”), is among the most enduring popular music ever written. Responding to an unknown commission, Mozart dashed it off on August 10, 1787 in Vienna as he worked on the second act of the opera, Don Giovanni. Originally scored for string quartet and double bass, the piece is frequently performed by a string orchestra. German commentator Wolfgang Hildesheimer wrote, “even …

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