Concerto

Jennifer Higdon’s Oboe Concerto: Majesty, Beauty, and Grace

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Regarding her Oboe Concerto, composed in 2005, American composer Jennifer Higdon writes, “I have always thought of the oboe as being a most majestic instrument, and it was a pleasure to be able to create a work that would highlight its beauty and grace.” Unfolding in a single movement, the Concerto begins with the nostalgic, pastoral voice of the solo oboe, emerging on an extended B-flat over a serene, searching chorale in …

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Remembering Norman Carol

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Norman Carol, the legendary American violinist and concertmaster of the Philadelphia Orchestra from 1966 to 1994, passed away on April 28 in Wynnewood, Pennsylvania. He was 95. Born in Philadelphia to Russian immigrant parents, Carol began playing the violin at age six, and performed his first concert at nine. Following initial studies with Sascha Jacobinoff, he entered the Curtis Institute of Music at 13, where he was a student of Efrem Zimbalist. …

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Martha Argerich Plays Beethoven: Piano Concerto No. 2 in B-flat Major

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The Piano Concerto No. 2, Op. 19 is music of the youthful Beethoven. Composed between 1787 and 1789, it predated the First Concerto, but was published out of sequence. Filled with charm and exuberance, it follows the model of Mozart. The acclaimed pianist, Martha Argerich is now an octogenarian, yet her performance of this music sparkles with youthful vitality. (Amazingly, she was already performing Beethoven Concerti at the age of 8, as …

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Remembering Maurizio Pollini

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Maurizio Pollini, the acclaimed Italian pianist whose career spanned more than six decades, passed away on March 23 in a clinic in his native Milan. He was 82. La Scala, the opera house where Pollini frequently performed,  hailed the Grammy-winning pianist as “one of the great musicians of our time and a fundamental reference in the artistic life of the theater for over 50 years.” Pollini began performing publicly at age 11, …

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Bach’s Violin Concerto in D Minor, BWV 1052R: Virtuosity and Fire

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Bach was a master of adaptation and reuse. He made a habit of crafting harpsichord concerti out of previously written concerti for other instruments. Such is the case with the Harpsichord Concerto in D minor, BWV 1052, which is believed to be a transcription of a long-lost Bach violin concerto. The score is filled with passages which fit neatly into the violin as bariolage, “the alternation of notes on adjacent strings, one …

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Dvořák’s Violin Concerto in A Minor: Spirited Bohemian Strains

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Once, while reflecting on his music, Antonín Dvořák commented, “I myself have gone to the simple, half-forgotten tunes of the Bohemian peasants for hints in my most serious works. Only in this way can a musician express the true sentiment of his people.” Dvořák’s Violin Concerto in A minor, Op. 53 overflows with the spirited strains of the composer’s Czech homeland. Bending sonata form and liberating the traditional structure of the concerto, …

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Michael Tippett’s Piano Concerto: Poetic Music Born of Beethoven

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The inspiration for Sir Michael Tippett’s Piano Concerto came in a single moment in 1950. The occasion was a rehearsal of Beethoven’s Fourth Piano Concerto with Walter Gieseking as soloist. Recalling this “precise moment of conception,” the English composer commented, “Under the influence of an exceptionally poetic yet classical performance of the Beethoven movement, I found myself persuaded that a contemporary concerto might be written, in which the piano is used once …

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