Remembering John Nelson

American conductor John Nelson passed away on March 31, 2025. He was 83. Born in San José, Costa Rica, to American missionary parents, Nelson studied at Wheaton College and later at the Juilliard School. He went on to serve as music director of the Indianapolis Symphony Orchestra (1976-1987), Opera Theatre of St. Louis (1985-1988), the Caramoor Music Festival in New York (1983-1990), and the Orchestre de chambre de Paris (1998-2008). Additionally, he …

Read more

Fauré’s Piano Quartet No. 2 in G Minor: Exploring Dreams and Passions

Gabriel Fauré’s motivation for writing the Piano Quartet No. 2, in G minor, Op. 45 remains something of a mystery. There was no commission. The work appears to represent the composer’s personal exploration of the magical possibilities regarding an unusual combination of instruments: piano, violin, viola, and cello. Only Mozart, and a handful of other composers, had ventured into this territory. Arriving seven years after Fauré’s First Piano Quartet, the G minor …

Read more

Liszt’s “Au Lac de Wallenstadt” from “Années de Pèlerinage”: Sighing Waves

…Thy contrasted lake, With the wild world I dwell in, is a thing Which warns me, with its stillness, to forsake Earth’s troubled waters for a purer spring. These lines from Lord Byron’s Childe Harold’s Pilgrimage form the poetic caption for Franz Liszt’s Au lac de Wallenstadt (“At Lake Wallenstadt”). Following the exalted La chapelle de Guillaume Tell, with its distant Alpine horn calls, Au lac de Wallenstadt is the second movement of Liszt’s …

Read more

Tchaikovsky’s “The Seasons”: March, Song of the Lark

In the 19th century, writers such as Charles Dickens commonly published books in monthly installments which appeared in popular periodicals. Published on the first day of each month in 1876 in the St. Petersburg music journal, Nuvellist, Tchaikovsky’s piano cycle, The Seasons, Op. 37a reached listeners in a similar way. Subtitled “12 characteristic scenes,” the atmospheric works are miniature tone paintings. Tchaikovsky composed them concurrently with the ballet, Swan Lake. In this era before recordings, …

Read more

Brahms’ Variations on a Theme of Paganini: Musical Athleticism

Niccolò Paganini’s 24th Caprice for solo violin has provided an irresistible blueprint for numerous composers. Most famously, its jaunty, infectious melody inspired the 24 variations of Sergei Rachmaninov’s Rhapsody on a Theme of Paganini, Op. 43. Nearly seventy years before Rachmaninov, in 1863, Johannes Brahms composed his own Variations on a Theme of Paganini, Op. 35. The work is organized in two books, each made up of fourteen blazingly athletic variations, and …

Read more

Schumann’s Six Fugues on B-A-C-H and Six Canonic Etudes: Contrapuntal Explorations

“What art owes to Bach is to the musical world hardly less than what a religion owes to its founder,” said Robert Schumann. (Eric Frederick Jensen) Championed in part by Mendelssohn, the first half of the 19th century saw a revival of interest in the music of J.S. Bach. Nine days after their wedding, Robert and Clara Schumann began an extensive study of Bach’s counterpoint together. The occasion was documented by Clara …

Read more

Schumann’s Second Symphony: Drums, Trumpets, and Triumph

“For several days, drums and trumpets in the key of C have been sounding in my mind,” wrote Robert Schumann to Felix Mendelssohn in a September, 1845 letter. “I have no idea what will come of it.” These recurring musical reveries were the seeds of Schumann’s Symphony No. 2 in C Major, Op. 61, sketched over the course of two weeks in December of 1845, and completed a year later. As he …

Read more