Tchaikovsky’s Winter Daydreams

What’s in a name? In the case of Tchaikovsky’s First Symphony, completed in 1866, it’s hard to say for sure. Tchaikovsky gave the work the descriptive title, Winter Daydreams (the first and second movements are subtitled, Dreams of a Winter Journey and Land of Desolation, Land of Mists). Beyond these descriptive phrases, the First Symphony remains pure music, without a program. At moments, the music may suggest the play of sunlight and shadow on a …

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Sibelius’ Sixth: "The Scent of the First Snow"

Beethoven’s great symphonic arc is a study in moderation. Beginning with the Third Symphony (the Eroica), Beethoven’s odd numbered symphonies can be described as heroic, monumental and groundbreaking. By contrast, the even numbered symphonies take a step back into a more intimate world of classical charm. Listen to Jean Sibelius’ Fifth and Sixth Symphonies back to back, and you’ll hear a similar dichotomy. Sibelius began sketching both works around the same time in the …

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Sibelius 5’s Evaporating Tonal Center

In Monday’s post, commemorating the 150th anniversary of Jean Sibelius’ birth, we listened to Leonard Bernstein’s live concert performance of Sibelius’ Fifth Symphony with the Vienna Philharmonic. Returning to this music, I was reminded of that chilling moment in the first movement when the tonal center completely evaporates. Virtually all music from J.S. Bach through Late Romanticism was tonal, built on relationships between a tonic (the key’s home base) and dominant. We …

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Sibelius at 150

Tomorrow marks the 150th anniversary of the birth of Jean Sibelius. Commemorative events are under way this week, from Sibelius’ native Finland to Minnesota. Appropriately, the 11th International Jean Sibelius Violin Competition just wrapped up in Helsinki. The competition, open to violinists under the age of 30, has been held every five years since 1965. Listen to this year’s first prize winner, American violinist Christel Lee, here. Recently, here at the Listeners’ Club, we’ve …

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Sibelius’ Second: Beyond Finnish Nationalism

Jean Sibelius completed his Second Symphony in 1902 at a turbulent moment in Finnish history. Amid a surge of nationalism and renewed cultural unity, a growing movement called for Finnish independence from Russia. As Tsar Nicholas II sought to suppress Finnish language and culture, Sibelius’ music played an important role in the cultural reawakening of his homeland.  Finlandia, the majestic nationalist hymn written in 1899 as a covert protest against Russian censorship, emerged as a …

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Symphonie Fantastique: Berlioz’s Musical Hallucination

Hector Berlioz’s Symphonie fantastique, first heard in 1830, shares some surprising similarities with a teenager’s rock music: It’s shocking, rebellious, and at least partially drug-induced (Berlioz was under the influence of opium). It may have been written to impress a girl (Harriet Smithson, an Irish actress whom Berlioz saw in a production of Hamlet in 1827, leading to an infatuation and ultimately short-lived marriage). It deals with the pain of unrequited love, yet this …

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Music of Romantic Obsession

From Vincent Van Gogh to Charlotte Brontë, artists, writers, and composers have occasionally entered the strange, darkly irrational world of romantic obsession. With Halloween approaching, let’s take a walk on the creepy side and explore three pieces which grew out of (what some would call) unhealthy romantic obsessions: Berlioz’ Symphonie fantastique Written partially under the influence of opium, Hector Berlioz’ Symphonie fantastique takes us into strange, hallucinogenic territory. It summons new sounds from the orchestra, which must …

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