The opening of Samuel Barber’s First Symphony tells us everything we need to know about the piece that lies ahead. It hits us immediately with an almost overwhelming sense of bigness, as if a force of titanic strength has suddenly been released. Majestic, intensely passionate, yet made up of raw, primal energy, it roars to life with a series of wide open fifths. A soaring theme takes flight, opening boldly with an …
Opera is full of deranged mothers. Consider The Queen of the Night from Mozart’s The Magic Flute. In this fiery aria (one of the most famous, and virtuosic in all of opera) she pays a terrifying visit to her daughter, Pamina. The vengeful Queen of the Night gives Pamina a dagger and vows to disown her if she fails to assassinate Sarastro. Or consider Bellini’s Norma who contemplates murdering her two children in their …
Greek violinist Leonidas Kavakos’ newest album, Virtuoso, was released on the Decca Classics label on April 1. It’s a fascinating collection of short violin showpieces. Some are well known favorites: Sarasate’s Caprice Basque, Op.24 and Romanza andaluza, Op. 22, No.1, Paganini’s Introduction And Variations On “Nel Cor Piu Non Mi Sento” and Variations on God Save the King. But there are also some fascinating surprises. One of the recording’s seldom-heard gems is the haunting Reveille, a piece written in 1937 by a 24-year-old …
Adolph “Bud” Herseth, the longtime principal trumpeter of the Chicago Symphony passed away in April, 2013. Herseth’s 53-year association with the Chicago Symphony began in 1948 when conductor Artur Rodzinski invited him to audition for the CSO’s principal trumpet position. Herseth will forever be associated with the distinct sound of the Chicago Symphony brass section, which developed in the 1950s and 60s during Fritz Reiner’s tenure as music director and flourished during Georg Solti’s tenure …
Last Thursday, as news broke of the untimely death of Prince, we were all reminded of his enormous contributions, both as a cultural icon and as one of contemporary pop music’s most innovative songwriters. His work drew upon a wide variety of styles, including “funk, rock, rhythm and blues, soul, psychedelia, and pop.” In songs such as When Doves Cry, from the 1984 album Purple Rain, he turned the traditional structure of the pop song on its …
Last week, the Metropolitan Opera announced that James Levine will be stepping down as music director after four decades and 2,551 performances. Levine, who is 72, has been battling Parkinson’s Disease along with other ailments. Levine, who became music director of the Met in 1976, has been credited with raising the level of the company. In this interview he reflects on some of his achievements. Recently, Alex Ross summed up Levine’s tenure …
If you’re a longtime Listeners’ Club reader, you know that I’m often playing opera this time of year. This month I’ve been staying busy with Virginia Opera’s production of Wagner’s The Flying Dutchman. The Flying Dutchman is the work of a young, 26-year-old Wagner. In many ways, it anticipates the more mature, leitmotif-laden Wagner operas which would follow. Wagner ultimately broke down the traditional “stop and start” recitative-aria structure that had previously been the structural …