Remembering Roger Norrington

Sir Roger Norrington, the English conductor known for historically informed performances, passed away last Friday, July 18. He was 91. Born in Oxford, Norrington rose to prominence in the 1960s when he revived and championed the choral music of the 17th century German composer, Heinrich Schütz (1585-1672). In 1962, Norrington founded the Schütz Choir. He went on to found the London Classical Players, an ensemble he led until 1997. In later years, he …

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Berlioz’ “Béatrice et Bénédict”: Four Excerpts from the Comic Opera

Beatrice and Benedict, the principal characters of Hector Berlioz’s 1862 comic opera of the same name, quarrel, hurl taunts and insults at one other, and then fall in love. Berlioz described the two-act opera, based on Shakespeare’s Much Ado About Nothing, as “a caprice written with the point of a needle.” It was his final completed work. Biographer David Cairns observes that “listening to the score’s exuberant gaiety, only momentarily touched by sadness, …

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Remembering John Nelson

American conductor John Nelson passed away on March 31, 2025. He was 83. Born in San José, Costa Rica, to American missionary parents, Nelson studied at Wheaton College and later at the Juilliard School. He went on to serve as music director of the Indianapolis Symphony Orchestra (1976-1987), Opera Theatre of St. Louis (1985-1988), the Caramoor Music Festival in New York (1983-1990), and the Orchestre de chambre de Paris (1998-2008). Additionally, he …

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Berlioz’ “L’Enfance du Christ”: The Shepherds’ Farewell and Final Chorus

Hector Berlioz’ L’enfance du Christ, Op. 25 (“The Childhood of Christ”) is a Christmas oratorio in three parts. It tells the story of the flight of the Holy Family (Mary, Joseph, and the infant Jesus) into Egypt following King Herod’s decree that all newborn children in Judaea be massacred. Berlioz wrote the text, which is based on the Gospel of Matthew 2:13. The work was first performed at Paris’ Salle Herz on …

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Berlioz’ Méditation “Grands Pharaons, Nobles Lagides” from “La Mort de Cléopâtre”: Jessye Norman

It was only after four unsuccessful attempts that Hector Berlioz won the Prix de Rome. The prestigious prize, awarded by Paris’ Academie des Beaux-Arts and funded by the state, guaranteed five years of financial support for studies in Rome. By the time Berlioz finally took home the prize in 1830, he had already completed the Symphonie fantastique, a piece far more groundbreaking and consequential than his winning entry, the cantata Sardanapale.  Berlioz …

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Berlioz’ “Les Troyens,” “Vallon Sonore” (Hylas’ Song): Ryland Davies

The aria, Vallon sonore, which opens the fifth act of Hector Berlioz’ sprawling 1858 grand opera, Les Troyens, is a dreamy song of homesickness. It is sung by Hylas, a young Phrygian sailor who, having arrived in the harbor of Carthage, longs to return to his “native valley.” The aria’s serene, hypnotic underlying rhythm evokes the “gently rocking” waves on which Hylas could sail home. Only briefly is the tranquillity interrupted by …

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Berlioz’ “Waverley” Overture: Adventures of a Youthful Dreamer

The Waverley Overture is vibrant, youthful music by the 23-year-old Hector Berlioz. Literary influences abound throughout the works of Berlioz. This early Overture was inspired by Sir Walter Scott’s Waverley novels, which depict the adventures of Edward Waverley, a young English soldier and dreamer who travels to Scotland amid the Jacobite uprising of 1745. The manuscript and printed score are prefaced with a poetic quote from an early chapter of Scott’s initial novel: Dream of love and …

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