Christopher O’Riley Meets Radiohead: “Fake Plastic Trees”

The American pianist Christopher O’Riley discovered the music of Radiohead in 1997 with the release of the British alternative rock band’s landmark third studio album, OK Computer. Immediately, O’Riley was drawn to the songs’ sophisticated counterpoint and “sensual harmonies that you’d find in Ravel, a harmony, a chord that makes your hair stand on end.” O’Riley’s acclaimed solo piano adaptions of Radiohead songs are far more than simple arrangements or covers. Following the tradition of Liszt’s concert paraphrases, or …

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New Release: “Troika,” Matt Haimovitz and Christopher O’Riley

Political dissent and the “Slavic soul” are at the heart of TROIKA, a new two-disc album by cellist Matt Haimovitz and pianist Christopher O’Riley on the Pentatone label. The recording features sonatas by three great twentieth century Russian composers: Shostakovich, Prokofiev, and Rachmaninov. Interspersed between this “troika” are shorter pieces, including the duo’s arrangement of the Troika movement from Prokofiev’s Lieutenant Kijé score and Rachmaninov’s Vocalise. The later was a new piece for Haimovitz. In studying the work, O’Riley advised him to listen …

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“No Surprises”: Christopher O’Riley Covers Radiohead

No Surprises, from the British alternative rock band Radiohead’s 1997 album OK Computer, has been described as “a lullaby of despair.” Its sweet, sensuous melody, laced with the delicate sounds of glockenspiel, meets lyrics infused with helpless desolation. The result is something which feels numbly detached. Recorded in a single take, the song pays vague homage to the Beach Boys classic, Wouldn’t it Be Nice. According to Radiohead singer-songwriter Thom Yorke, That childlike guitar sound set the mood for the whole …

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