Remembering Roger Norrington

Sir Roger Norrington, the English conductor known for historically informed performances, passed away last Friday, July 18. He was 91. Born in Oxford, Norrington rose to prominence in the 1960s when he revived and championed the choral music of the 17th century German composer, Heinrich Schütz (1585-1672). In 1962, Norrington founded the Schütz Choir. He went on to found the London Classical Players, an ensemble he led until 1997. In later years, he …

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Mozart’s “Don Giovanni”: Zerlina’s Tenderly Seductive Aria, “Vedrai, Carino”

Blending comedy, melodrama, and the supernatural, Mozart’s 1787 opera, Don Giovanni, tells the story of an arrogant, promiscuous nobleman, who, before the final curtain, receives the ultimate hellish comeuppance. Don Giovanni attempts to seduce the peasant girl, Zerlina, and disarm her jealous fiancé, Masetto. At the beginning of the second act, Masetto and his friends look for Don Giovanni in order to kill him, but they are outsmarted by the cunning, disguised …

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“Là Ci Darem La Mano” from “Don Giovanni”: Mozart’s Most Seductive Duet

Don Giovanni (or Don Juan) is one of literature’s most infamous seducers. In Mozart’s two act 1787 opera—a sublime blend of comedy, melodrama, and supernatural elements— the character takes on a new and intriguing complexity. As the cultural historian, James H. Johnson writes in his essay, Sincerity and Seduction in Don Giovanni, Mozart and the librettist, Lorenzo Da Ponte, “deliberately employ a tone of sincerity that keeps to the surface in conveying Giovanni’s …

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Ghostly Mozart: The “Commendatore Scene” from “Don Giovanni”

The dramatic climax of Mozart’s opera, Don Giovanni, delivers the ultimate ghost story. Don Giovanni’s horrific fate is sealed earlier in the opera’s second act. In Scene 3, the brash, promiscuous nobleman (also known as Don Juan), wanders into a graveyard where he is reunited with his servant, Leporello. Don Giovanni brags that he took advantage of his disguise to try to seduce one of Leporello’s girlfriends. A voice comes from one of …

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Remembering Peter Schreier: Three Transcendent Recordings

The German opera singer and conductor Peter Schreier passed away in Dresden on Christmas Day. He was 84. Schreier will be remembered as one of the twentieth century’s greatest lyric tenors. In addition to appearances at the world’s leading opera houses, he specialized in German Lieder (songs) and other concert repertoire. He drew acclaim for his numerous performances of the Evangelist roles in Bach’s Christmas Oratorio and Passion. A common thread runs through …

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Remembering Sanford Sylvan

The renowned American baritone Sanford Sylvan passed away suddenly last week. He was 65. Sylvan’s career on the opera stage included premieres of works by John Adams, Philip Glass, Peter Maxwell Davies and Christopher Rouse. He was the first to perform the role of Chou En-lai in Nixon in China (1987) and Leon Klinghoffer in The Death of Klinghoffer (1991). In addition, he premiered Adams’ haunting setting of Walt Whitman’s poem, The Wound Dresser. He was an …

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Remembering Dmitri Hvorostovsky

The Russian operatic baritone Dmitri Hvorostovsky passed away this week following a two-and-a-half-year battle with brain cancer. He was 55. Here are some highlights from his distinguished career: In the aria, Ja vas lyublyu, from the second act of Tchaikovsky’s The Queen of Spades, Prince Yeletsky pours out his love for Liza while lamenting her inability to trust him fully. Listen to the way this aria moves from majestically soaring passion to the depths of despair as the …

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