Remembering Mariss Jansons: Five Great Recordings

The internationally renowned Latvian conductor Mariss Jansons passed away on Saturday. He was 76. For years, he had dealt with a long-term heart condition. Jansons will be remembered for his tireless energy and personal warmth, his legacy as an orchestra builder, and his powerful interpretations of the music of Tchaikovsky, Mahler, Strauss, and Shostakovich, among other composers. He was born in Riga, Latvia amid the German occupation of the Second World War. His …

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Mahler’s Evolution From Song to Symphony

Gustav Mahler’s music is full of sardonic humor- passages which seem, at once, frivolous and chillingly grotesque. You can hear this in the song cycle, Des Knaben Wunderhorn (“The Youth’s Magic Horn”). The twelve songs, published in 1905, are drawn from a collection of 723 anonymous German folk poems, compiled between 1805 and 1808 by Ludwig Achim von Arnim and Clemens Brentano. The 27-year-old Mahler was conducting in Leipzig when he discovered the anthology. …

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The Scariest Chord in Mahler’s Second

Remembering Gilbert Kaplan Gilbert Kaplan, the American millionaire business man, publisher, amateur conductor, and Mahler scholar passed away on New Year’s Day following a battle with cancer. He was 74. In 1967, at the age of 26, Kaplan founded the inside Wall Street magazine, Institutional Investor. Around the same time, he became obsessed with the music of Gustav Mahler, particularly Mahler’s Symphony No. 2 “Resurrection” (featured in this past Listeners’ Club post). Kaplan described his first encounter with …

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Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of ultimate transfiguration. In the final bars of the fifth movement, the traditional orchestra is suddenly augmented by …

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