Mahler’s “Urlicht” (“Primal Light”), Jessye Norman

Urlicht (“Primal Light”) forms the fourth movement of Gustav Mahler’s Second Symphony. It occupies a striking position in the five-movement work’s progression towards ultimate and lasting transcendence. Suddenly, for the first time in this “Resurrection Symphony,” we hear the solitary human voice—a darkly veiled alto imbued with human tragedy and lament. In a symphony rooted in C minor and E-flat major, suddenly we find ourselves in the remote, ethereal world of D-flat …

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Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of ultimate transfiguration. In the final bars of the fifth movement, the traditional orchestra is suddenly augmented by …

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