Mozart’s “Kegelstatt” Trio, K. 498: Music Conceived at the Bowling Alley?

In a memorable scene from the 1984 film, Amadeus, the fictionalized Mozart composes at a billiards table. Although Mozart’s phrases unfold with an uncanny crystalline ease, the composer’s creative process probably was not as casual and effortless as the scene suggests. Perhaps in an attempt to further the legend, Mozart’s widow, Constanze, destroyed all but ten percent of her husband’s sketches, following his death. Regardless, Mozart loved to play billiards, as well …

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Mozart’s “Il Re Pastore”: Excerpts from a Youthful Opera

Mozart’s two-act opera, Il re pastore (“The Shepherd King”), K. 208, written to a libretto by Pietro Metastasio, tells a fanciful story in which love and faithfulness triumph over ambition. The following brief synopsis is provided by Opera Online: Alessandro, king of Macedonia (soprano), having just conquered the city of Sidon, wants it to be ruled by Aminta (soprano), the young legitimate heir who became a shepherd after he was removed from the throne …

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Mozart’s Violin Concerto No. 3 in G Major: David Oistrakh in Concert in 1968

Mozart’s earliest childhood performances as a violinist were recounted humorously by Johann Andreas Schachtner. In a 1792 letter to Mozart’s sister, Maria Anna, or “Nannerl,” Schachtner, a close friend of the family, recalled an occasion when he was invited to play second violin for an informal chamber music session at the Mozart house. Little Wolfgang asked to be allowed to play second violin. As he hadn’t had any lessons yet, your Papa …

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Mozart’s Symphony No. 36 in C Major, “Linz”: A Hurriedly Written Masterpiece

In 1783, Mozart traveled to Salzburg with his new bride, Constanze, in an attempt to reconcile with his father, who did not approve of the marriage. On the return trip to Vienna, the couple spent three weeks in the Upper Austrian town of Linz as guests of Count Johann Thun-Hohenstein, an old friend of the Mozart family. In a letter dated October 31, Mozart wrote to his father, When we reached the …

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Mozart’s Clarinet Concerto: A Swan Song

The Clarinet Concerto in A Major, K. 622 has been called Mozart’s swan song. His last completed work, it was first performed on October 16, 1791 in Prague, less than two months before the composer’s death at the age of 35. At the time, the clarinet was a young instrument still in development, and a newcomer to the orchestra. When the 22-year-old Mozart visited Mannheim, a progressive musical center far ahead of provincial …

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Mozart’s Kyrie in D Minor: An Enigma

The impetus for Mozart’s Kyrie in D minor, K.341 remains a fascinating enigma. Initially, it was believed that Mozart completed this sublime choral fragment in Munich in early 1781. The occasion for which it would have been composed remains unclear. The full instrumentation (which includes two clarinets) suggests that the Kyrie may have been intended for a large-scale Mass which remained unfinished. Sketches from the composer’s final years (1787-91) show that he was …

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Mozart’s Requiem in D Minor: Mysterious and Monumental

Mystery and intrigue have long surrounded the genesis of Mozart’s Requiem in D minor. In early July of 1791, an “unknown, gray stranger” visited the composer, bearing a commission for a Requiem from an anonymous patron. At the time, Mozart was working tirelessly to complete two operas, The Magic Flute and La clemenza di Tito. By the time he turned his attention to the Requiem the following September, his health was in terminal decline. He …

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