Four Musical Firsts

In celebration of the beginning of a new year, here are four pieces which qualify as musical “firsts.” Listen to the music on the list and then share your own favorite musical “firsts” in the comment thread below. Monteverdi’s “Orfeo” Let’s start with the birth of opera. Italian Renaissance composer Claudio Monteverdi (1567-1643) is often credited with singlehandedly inventing the art form. In reality, opera gradually evolved out of Intermedio, music and …

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How to Sing Rossini

Conductor Sir Mark Elder shares some interesting insights on the music of Rossini in this recent masterclass at London’s Royal Opera House. Elder coaches mezzo-soprano Rachel Kelly, who sings Rosina’s cavatina, “Una voce poco fa,” from Act 1, scene II of The Barber of Seville.  According to Elder, rhythm is the key element of Rossini’s music. The energy of the rhythmic motor keeps the music alive and infuses it with style. Pulse equals life. Elder …

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Remembering Composer Stephen Paulus

American composer Stephen Paulus passed away yesterday due to complications from a significant stroke he suffered last year. He was 65 years old. Paulus leaves behind a wide range of works, including three violin concertos. William Preucil recorded the first concerto with conductor Yoel Levi and the Atlanta Symphony in the early 1990s. That recording also features the thrilling, eleven minute adventure for orchestra, Concertante, written in 1989 (find on iTunes). In addition …

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Mozart is for the Birds

The Magic Flute, Mozart’s bizarre two act comic opera, can be seen as a fairy tale battle between the forces of darkness and light. Like all good fairy tales, at the end of The Magic Flute’s second act, love and happiness triumph. The Singspiel opera (featuring singing as well as spoken dialogue) was written in the prolific final year of Mozart’s life. It premiered in 1791 at the popular Theater aug der Wieden on the …

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Rossini’s Semiramide Overture

“Fun” may be the best way to describe a Rossini opera overture. Gioachino Rossini (1792-1868) was a master of long, expectation-building crescendos, sparkling, virtuosic woodwind solos and musical jokes, which included sudden, loud, out of place chords. These operas would have been considered popular entertainment-drama mixed with sports, in the form of the vocal acrobatics of the singers. Recently, I ran across this exciting 1990 Metropolitan Opera performance of Rossini’s Semiramide Overture. As you …

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“Vissi d’arte” from Tosca

Through the expressive power of music, opera conveys the deepest and most complex human emotions. It allows us to enter the psyche of characters and experience the drama on a gut level. Opera, with its far flung story lines and sung libretto, can’t be approached literally, as if you’re watching a movie or a play. It has to be experienced as metaphor…a story unfolding through music. Vissi d’arte (“I Lived for Art”) is one of …

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Five Musical Sunrises

Natural cycles, from the change of seasons to the predictable routine of day turning to night, shape our sense of time. Can you imagine how our perception of time, and subsequently music, would be different without these events? Nature’s visual grandeur has also been an inspiration to composers, especially the eternal drama of the sunrise. Here are five musical depictions: [typography font=”Cantarell” size=”28″ size_format=”px”]Haydn’s “Sunrise” String Quartet[/typography] Haydn’s String Quartet in B flat …

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