Mozart’s Last Piano Concerto

Last week we stepped into the strange, mysterious world of Beethoven’s Late string quartets, music which stylistically leaves behind everything that came before and offers up profound and timeless revelations. In its own way, Mozart’s last piano concerto (No. 27 in B flat major, KV 595) makes a similar, if more subtle departure. It still sounds like the Mozart we know, but listen carefully and you may notice something different about this music…perhaps …

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The Yings Play Beethoven

  The finest professional string quartets exhibit an almost scary sense of chemistry. This cohesiveness, almost like a sixth sense, develops when the right combination of people spend hours a day performing together. The Ying Quartet, formed at the Eastman School of Music in 1988, enjoys an additional advantage: the founding members are siblings. Only the first violin position has changed in recent years with the departure of Timothy Ying in 2009. Beginning …

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Mozart in Paris: Symphony No. 31

  In 1778, at the age of 22, Mozart traveled to Paris with his ill mother in hopes of landing a job at the court of Versailles. Years earlier, as a child harpsichord prodigy, he had created a sensation in the French capital. Now, the mature Mozart’s music went over the heads of most French nobility. It seemed too complicated. There were just “too many notes.” As one review observed, The composer obtained …

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A Sublime Moment from Mozart’s "Così fan tutte"

Mozart’s Così fan tutte (“Thus Do They All”) falls under the category of opera buffa, or comic opera. It’s an absurd story of “fiancée swapping,” which ultimately turns out all right in the end. In a coffeehouse in Naples, two military officers, Ferrando and Guglielmo, boast that their fiancées, Dorabella and Fiordiligi, will never be unfaithful. Don Alfonso makes a wager that, within a day, he can prove the officers wrong. He believes that all women are ultimately fickle. …

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Four Musical Firsts

In celebration of the beginning of a new year, here are four pieces which qualify as musical “firsts.” Listen to the music on the list and then share your own favorite musical “firsts” in the comment thread below. Monteverdi’s “Orfeo” Let’s start with the birth of opera. Italian Renaissance composer Claudio Monteverdi (1567-1643) is often credited with singlehandedly inventing the art form. In reality, opera gradually evolved out of Intermedio, music and …

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