Beethoven’s Wordless Recitatives

Ludwig van Beethoven may not be the first composer who comes to mind when considering recitative- the sung dialogue that links arias and other musical numbers in an opera or oratorio. Beethoven wrote only one opera, Fidelio, which uses more spoken dialogue than recitative. He spent almost ten excruciating years revising the work, writing four different overtures, and enduring harsh criticism, until finding success with the final 1814 version. So it’s interesting that operatic …

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Late Beethoven Revelations

The greatest composers serve as visionaries and prophets, giving us a glimpse at a higher reality. Looking back through music history, many composers seem to have experienced a sharpening of this sense of vision in the final years of life. The Ninth and final symphonies of Mahler and Bruckner are filled with mystery, foreboding and spirituality. The first movement of Bruckner’s Ninth is marked “Feierlich“ (Solemn) and ” misterioso.” Schubert’s Ninth Symphony, “The Great”, is a sublime …

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