The Creation

Establishing Order out of Chaos: Music of Rebel, Rameau, and Haydn

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Franz Joseph Haydn’s 1798 oratorio, The Creation, begins with a shocking musical depiction of chaos which, at times, seems to anticipate the chromaticism of Wagner. This famously progressive harmony sets the stage for a masterful dramatization of the creation of the world, as outlined in the Book of Genesis. As shocking as Haydn’s Representation of Chaos was at the apex of the genteel Classical period, it was not without precedent. Fifty years earlier, the …

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The Joy of Wrong Notes

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The element of surprise is an important ingredient in every great melody. Each note of a melody sets up expectations which are either fulfilled or delightfully challenged. Often subconsciously, we enjoy the unexpected “wrong” notes that take a melody in a bold new direction. We listen closely to hear how the disruption will work itself out. For an example, listen to the jarring appoggiaturas in the second movement of Mozart’s otherwise serene Piano Concerto …

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