Beethoven’s Symphony No. 3, “Eroica”: Bernstein and the Vienna Philharmonic

The Romantic era in music may have begun, unofficially, with the ferocious opening hammer blows of Beethoven’s Third Symphony. As the story goes, this monumental and revolutionary music was originally dedicated to Napoleon Bonaparte. When Napoleon crowned himself Emperor of France in 1804, Beethoven reportedly scratched out the dedication on the title page (shown above) and re-dedicated the Symphony to the Hero (“Eroica”), exclaiming So he is no more than a common mortal! Now, too, …

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Leonard Rose: Five Great Recordings

Today marks the 100th anniversary of the birth of Leonard Rose (1918-1984), one of the greatest cellists of the twentieth century. Born in Washington, D.C. into a family of Ukrainian immigrants, Rose joined Arturo Toscanini’s NBC Symphony Orchestra as associate principal cellist at the age of 20. At 21 he became principal cellist of the Cleveland Orchestra. In 1943, at age 26, he accepted the same position with the New York Philharmonic. In 1951 …

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Mozart and the Tragic Key of G Minor

Mozart wrote 41 numbered symphonies. Of these, only two are rooted in a minor key- in both cases G minor. The first is the exuberant, fiery Symphony No. 25, which we heard last week. The second and more famous is the “Great” G minor Symphony No. 40.  Last Friday’s post inspired me to consider the uniquely tragic significance of G minor throughout Mozart’s music. This is the key to which Mozart turns in the second …

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Ruggiero Ricci: Five Great Recordings

You have to try for the impossible, just in order to make the possible possible. -Ruggiero Ricci Tomorrow marks the 100th anniversary of the birth of one of the twentieth century’s greatest violinists, Ruggiero Ricci (1918-2012). Born near San Francisco to Italian immigrant parents, Ricci exploded onto the scene as a child prodigy, performing his first public concert in 1928 at the age of 10. At the age of 7, he began …

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Mozart’s Symphony No. 25: Bernstein and the Vienna Philharmonic

Next month marks the 100th anniversary of the birth of Leonard Bernstein (1918-1990). As a conductor, composer, pianist, and educator, Bernstein seems to have thrown his arms around the world of music. He brought a unique energy and dynamism to the podium, as well as to his compositions, which run the gamut from the Broadway theater to the concert hall. Over the coming weeks, we’ll explore the music of Leonard Bernstein. For …

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New Release: Rachel Barton Pine and Jory Vinikour Play Bach Sonatas for Violin and Harpsichord

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour have released a new album featuring J.S. Bach’s Six Sonatas for Violin and Harpsichord, BWV 1014-1019. This marks the duo’s first recording collaboration. Barton Pine uses a baroque bow and plays a 1770 Nicola Gagliano violin which is in its “original, unaltered condition.” Also included on the album is the Cantabile, BWV 1019a which Bach originally wrote for the Sonata, BWV 1019. Likely composed between 1717 and 1723 during Bach’s Köthen period, these …

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“Tapiola”: Sibelius’ Mysterious Final Tone Poem

In Pohjola there are thick, dark forests that dream wild dreams, forever secret. Tapio’s eerie dwellings are there and half-glimpsed spirits, and the voices of twilight. – Jean Sibelius  Tapio is the mythological spirit of the mysterious, remote forests of northern Finland who figures prominently in the Nordic folklore of the Kalevala. This is the subject of the tone poem, Tapiola, Jean Sibelius’ last major work, written in 1926 on a commission from Walter Damrosch and the New …

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