Today, we remember the heroic sacrifice of Dr. Martin Luther King Jr. in his pursuit of economic and social justice. The author Richard Wright noted that songs, work chants, and spirituals took the place of freedom for African Americans. Following centuries of cultural dislocation, these songs are filled with sadness and longing for home: Sometimes I feel like a motherless child A long way from home, a long way from home These songs …
Violinist Rachel Barton Pine and harpsichordist Jory Vinikour have released a new album featuring J.S. Bach’s Six Sonatas for Violin and Harpsichord, BWV 1014-1019. This marks the duo’s first recording collaboration. Barton Pine uses a baroque bow and plays a 1770 Nicola Gagliano violin which is in its “original, unaltered condition.” Also included on the album is the Cantabile, BWV 1019a which Bach originally wrote for the Sonata, BWV 1019. Likely composed between 1717 and 1723 during Bach’s Köthen period, these …
Violinist Rachel Barton Pine just released her 36th album in January. It features Edward Elgar’s Violin Concerto in B minor alongside the First Violin Concerto of Max Bruch. Barton Pine is accompanied by the BBC Symphony Orchestra, led by Andrew Litton. She talks about the recording in this recent interview with Richmond Public Radio’s Mike Goldberg. Rachel Barton Pine dedicated the album to “the memory of a musical hero and generous friend, Sir Neville …
The violin’s reputation as “the Devil’s instrument” goes back at least as far as the Renaissance, where paintings such as Pieter Bruegel’s 1562 The Triumph of Death, linked the violin to death and the depravity of dance. The “Devil’s Trill” Sonata by Giuseppe Tartini (1692–1770) comes with a story in which the composer heard the Devil playing the Sonata in a dream. Charlie Daniels’ The Devil Went Down to Georgia tells a similar story. The 2013 film, The Devil’s …
Violinist Rachel Barton Pine tackles Paganini’s 24 Caprices with virtuosic flair and sonorous ease on her newest album, Bel Canto Paganini. The album’s title highlights the link between Paganini’s music and the “beautiful singing” melodic style of Italian opera composers like Rossini, Bellini, and Verdi. In addition to the Caprices, the two CD set includes a number of bonus tracks: Paganini’s Introduction and Variations on “Nel cor più non mi sento” from Paisiello’s La molinara, Duo merveille, Op. 6 “Duet …