Eugène Ysaÿe’s Sonata No. 3 in D Minor, “Ballade”: Shunsuke Sato

At the turn of the twentieth century, the Belgian violinist, Eugène Ysaÿe (1858-1931), was regarded as “The King of the Violin.” The conductor, Sir Henry Wood said, “The quality of tone was ravishingly beautiful…He seemed to get more color out of a violin than any of his contemporaries.” Commenting on the naturalness and flow of Ysaÿe’s rubato, Wood said, “Whenever he stole time from one note, he faithfully paid it back within …

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Augustin Hadelich Plays Ysaÿe: Sonata No. 3 in D Minor, “Ballade”

When performing, the great Belgian violinist, Eugène Ysaÿe (1858-1931), strove for “emotion, poetry, heart.” Called “the king of the violin,” Ysaÿe’s brilliant technique set a new standard. The conductor, Sir Henry Wood, described his tone as “ravishingly beautiful,” and noted that Ysaÿe “seemed to get more colour out of a violin than any of his contemporaries.” Among the over 200 works written for Ysaÿe are Ernest Chausson’s Poème and César Franck’s Violin Sonata in A Major, …

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Remembering Camilla Wicks

The legendary American violinist Camilla Wicks has passed away. She was 92. Born in Long Beach, California to Norwegian immigrant parents, Wicks rose to prominence as a child prodigy, performing her first public concert at the age of four. By the age of eight, her repertoire included concertos of Mendelssohn, Bruch, and Paganini. When she was ten, Wicks became a student of Louis Persinger, the influential teacher who guided the careers of …

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Eight Pieces Based on the Dies Irae

Last week, we explored two pieces which bookend the musical output of Sergei Rachmaninov- the First Symphony, which Rachmaninov wrote at the age of 22, and the Symphonic Dances, his “last spark,” completed in 1940. The Dies irae, the ancient chant of the dead, emerges as a prominent presence in both works. It’s a motive that returns throughout Rachmaninov’s music with haunting regularity. We hear it in The Isle of the Dead, The Bells, and the Rhapsody on a Theme of Paganini, where it …

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Ruggiero Ricci: Five Great Recordings

You have to try for the impossible, just in order to make the possible possible. -Ruggiero Ricci Tomorrow marks the 100th anniversary of the birth of one of the twentieth century’s greatest violinists, Ruggiero Ricci (1918-2012). Born near San Francisco to Italian immigrant parents, Ricci exploded onto the scene as a child prodigy, performing his first public concert in 1928 at the age of 10. At the age of 7, he began …

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Hilary Hahn’s New Album: Mozart and Vieuxtemps

Hilary Hahn released an excellent new recording on March 31. The album pairs Mozart’s Violin Concerto No. 5 in A major, K. 219 with the Violin Concerto No. 4 in D minor, Op. 31 by Belgian virtuoso violinist Henri Vieuxtemps (1820-1881). In the recording’s official trailer, Hahn mentions that she first learned both pieces around the age of 10 as she was entering the Curtis Institute of Music in Philadelphia. There’s also some interesting violin lineage at work: Hahn’s teacher …

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Paganini’s Catchy Tune

It’s a simple and catchy melody…so memorable and ripe for development that, for over 200 years, composers haven’t been able to stop using it as the inspiration for an unending stream of variations. Set in A minor, the theme of Niccolò Paganini’s Caprice No. 24 bounces between tonic and dominant (scale degrees I and V), before entering a downward sequence which brings the melody home. A series of variations follow, which almost push the …

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