Remembering Giuseppe Giacomini

Giuseppe Giacomini, the celebrated Italian dramatic tenor, passed away on Wednesday. He was 80. Giacomini, known as Bepi” among his fans, made his professional debut in 1966 in Vercelli, performing the role of Pinkerton in Puccini’s Madame Butterfly. He went on to appear on the stages of the world’s leading opera houses. Additionally, Giacomini performed for numerous world leaders and for the opening of the 1988 Olympic Games in Seoul. He continued to …

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Berg’s “Seven Early Songs”: On the Doorstep of Atonality

Alban Berg’s Seven Early Songs (Sieben frühe Lieder) are poised between two worlds. Standing on the doorstep of twentieth century atonality, they grow out of the great tradition of German Romantic lieder. They contain echoes of Brahms, Mahler, Strauss, and Debussy, while moving into a hazy new harmonic dreamscape. Berg composed these songs between 1905 and 1908 during the time he was a student of Arnold Schoenberg. He orchestrated and published the collection …

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Haydn’s Symphony No. 99 in E-flat Major: Rousing and Rapturous

Franz Joseph Haydn’s triumphant second trip to London started off with a bang. On February 10, 1794, six days after the celebrated composer’s return to the English capital, Symphony No. 99 in E-flat Major was premiered at the Hanover Square Rooms. A review of the concert in the Morning Chronicle read, The incomparable Haydn produced a new Overture [Symphony] of which it is impossible to speak in common terms. It is one of …

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Michael Daugherty’s “Flamingo”: A Great American Road Trip

Flamingo by the American composer Michael Daugherty (b. 1954) is as quirky, colorful, and unapologetic as the plastic pink ornaments which have long adorned lawns. Written in 1991 for chamber orchestra, the piece showcases a cast of zany instrumental characters. It blends the blues with the tambourine-infused sounds of a Spanish flamenco dance. At moments, it suggests a TV or film chase scene soundtrack. It delivers action-packed suspense, outrageousness, and furious rhythmic intensity. …

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Haydn’s String Quartet in C Major, Op. 74, No. 1, The Maxwell Quartet

Franz Joseph Haydn’s “Apponyi” String Quartets (Op. 71 and 74) achieved a groundbreaking distinction in the history of chamber music. They are remembered as the first quartets written, not for an aristocrat’s private palace, but for the public concert hall. The set of six string quartets were composed in 1793 following Haydn’s first extended visit to London. During his thirty year tenure at the court of Prince Nikolaus Esterházy, the composer’s published …

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Chopin’s Fantaisie in F Minor, Op. 49: Elation and Sorrow

Frédéric Chopin wrote the following words in a letter from October, 1841: Today I finished the Fantaisie—and the sky is beautiful, my heart sad—but that doesn’t matter at all. If it were otherwise, my existence would perhaps be of no use to anyone. Chopin’s Fantaisie in F minor for solo piano is music of persistent melancholy and soaring elation. As its title suggests, it is dreamlike, rhapsodic, and improvisatory. It was written …

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Classic Rock: Yes’ “Shoot High, Aim Low”

Shoot High, Aim Low comes from the 1987 album, Big Generator, by the English progressive rock band, Yes.  The song is hazy, hypnotic, and sonically alluring. It drifts over an eternally reassuring rhythmic groove, laid down by Alan White (drums) and Chris Squire (bass), which emerges from the chaotic “white noise” of an orchestra warming up—an obvious homage to The Beatles. Exuberant Spanish guitar riffs punctuate warm, glowing synth tones. Occasionally, seemingly “wayward” harmonies challenge …

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