Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

Hindemith’s “Mathis der Maler” Symphony: An Artist in Society

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In 1934, as the Nazis rose to power in his native Germany, Paul Hindemith worked concurrently on an opera and a symphony, both of which emerged from the same musical source. The opera, Mathis der Maler (“Mathias the Painter”), is a fictional account of the life of the German Renaissance painter, Mathias Grunewald (c. 1475-1528). It is set during Central Europe’s Peasants’ War of 1524, a brief, but tumultuous, rebellion which was …

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Telemann’s Oboe Concerto in D Minor: Han de Vries and Alma Musica Amsterdam

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For the German composer Georg Philipp Telemann (1681-1767), writing music seems to have been an effortless part of daily life. Celebrated alongside J.S. Bach and Handel as one of the most significant composers of his time, Telemann produced more than 6,000 works. This amazing catalogue includes at least twelve concertos for oboe (or the slightly deeper oboe d’amore) which are set in the Italian concerto da chiesa (church concerto) form. This form features four …

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Puccini’s “Manon Lescaut”: Three Powerful Excerpts

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Manon Lescaut, Giacomo Puccini’s 1893 opera in four acts, tells a haunting story of ill-fated love. Des Grieux, a student living in poverty, falls in love at first sight with the beautiful Manon, who is being taken by her brother to live in a convent. Des Grieux convinces Manon to run away with him. Yet, soon she becomes restless and torn between a life of passion with Des Grieux and material wealth with Geronte, a …

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Pavel Karmanov’s “Get In”: A Sunny Post-Minimalist Quintet

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Born in Siberia in 1970, the Russian composer, Pavel Karmanov, has been called “a romantic dressed in a minimalist gown.” Perhaps more accurately, Karmanov’s music inhabits the sunny, uninhibited world of post-minimalism. Influenced by the repeating patterns and pulse of the 1970s works of Steve Reich and Philip Glass, this music embraces tonality and the language of contemporary popular music. Karmanov is equally at home as a flutist, pianist, and rock musician. …

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Remembering Teresa Berganza

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Teresa Berganza, the legendary Spanish mezzo-soprano, passed away in Madrid on May 13. She was 89. Berganza was especially celebrated for roles in the operas of Rossini and Mozart, as well as the title role in Bizet’s Carmen. (The conductor, Herbert von Karajan, declared her to be “the Carmen of the century.”) She joined Plácido Domingo in a highly acclaimed 1977 Edinburgh Festival production of the opera, conducted by Claudio Abbado. Berganza recalled later that “Carmen …

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Rossini’s “La Cenerentola”: Two Enchanting Excerpts from the Final Act

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Gioachino Rossini’s touching 1817 comic opera, La Cenerentola, retells the popular Cinderella fairy tale with a few wrinkles: The glass slipper is replaced with a bracelet, the wicked stepmother is, instead, a stepfather named Don Magnifico, the Fairy Godmother is replaced by the philosopher, Alidoro, and there is no magic pumpkin. Questo e un nodo avviluppato One of the opera’s most dramatic moments occurs in the second (and final) act when the Prince (Don …

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Beethoven’s “Razumovsky” Cycle: String Quartet No. 9 in C Major, Op. 59, No. 3

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In 1805, Count Andreas Razumovsky, the Russian ambassador to Vienna, commissioned Beethoven to write three string quartets. At the time, chamber music was often conceived for the entertainment of aristocratic amateurs. In contrast, Razumovsky’s commission would be premiered by the Schuppanzigh Quartet, a group of highly skilled musicians who formed what was likely the first professional string quartet. The result was groundbreaking music which moved the string quartet decisively into the concert hall. …

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