Italian Baroque composers such as Corelli, Tartini, and Vivaldi have long been associated with the early development of the violin as a virtuoso instrument. Less well known, now, is Francesco Maria Veracini. Born in Florence in 1690, Veracini traveled throughout Europe, dazzling audiences with his violin sonatas and concertos. The English composer and music historian Charles Burney (1726-1814) described Veracini’s playing in 1745: He led the band…in such a bold and …
It’s always a thrill to perform with top-level guest soloists. They feed the collective soul of the orchestra and often elevate concerts into highly memorable events. American cellist Zuill Bailey brought that kind of electricity to the final concerts of the Williamsburg (Virginia) Symphonia season Monday and Tuesday evening. Bailey performed Robert Schumann’s restless and sometimes thorny Cello Concerto with soulfulness and ease. During rehearsals and performances, I was impressed with the singing tone …
If you’ve been griping about taxes recently, you may sympathize with the characters in J.S. Bach’s secular Peasant Cantata, BWV 212, first performed in 1742. Bach referred to this popular, comic work as “Cantate burlesque.” Listen to the entire work here. In this excerpt, Ach, Herr Schösser, geht gar nicht zu schlimm, the farmer decries the unfair burden of land taxes. Here is a translation, beginning with the preceding recitative: The master is good: but the …
The key of F major has long associations with nature and calm pastoral scenes. As flowers bloom and the pollen count soars, let’s finish out the week with four pieces in F major which evoke images of a springtime pasture: Bach’s Pastorale in F Major Historians believe that bagpipes may have predated ancient Rome. On hillsides in southern Italy and beyond, shepherds played Zampogna (Italian bagpipes). You can hear echoes of the Zampogna …
Rising to the top of the classical music world requires a combination of talent, hard work, determination, and luck. In 2007, American pianist Simone Dinnerstein’s career was “launched into the stratosphere” with the release of her self-financed recording of J.S. Bach’s Goldberg Variations and an appearance at Carnegie Hall’s Weill Recital Hall. The recording quickly soared to the top of the Amazon classical chart and more disks followed. This CBS Sunday Morning story profiles Dinnerstein’s miraculously …
Good composers borrow. Great ones steal. -Igor Stravinsky La Folia, the ancient theme/chord progression which originated in Portuguese dance music as early as 1577, was borrowed (and stolen) by composers throughout the Baroque era. Vivaldi, Scarlatti, Handel, and Jean-Baptiste Lully were among the composers who took advantage of the theme’s endlessly rich musical possibilities. Later composers also paid homage to La Folia. It surfaces briefly at this moment in the second movement of Beethoven’s Fifth Symphony. Franz Liszt included it …
As we await today’s meteorological prediction from the groundhog, let’s enjoy the icy sonic chill of “Winter” from The Four Seasons, Vivaldi’s collection of violin concertos composed around 1720. This piece can sound radically different from one performance to another, depending on choices of tempi and style. The concerto’s programatic elements remain: the orchestra’s frigid opening ponticello (a raspy sound created by playing as close to the bridge as possible), flying spiccato bowing suggesting …