What is it about the greatest music that keeps us coming back? Mozart’s music, written in an era of powdered wigs and aristocracy, speaks to us as powerfully today as when it was written over 250 years ago. It embodies a universal reality which transcends fashion and style. Meanwhile, Antonio Salieri (1750-1825), a respected contemporary of Mozart, is now little more than a historical curiosity. You may remember this scene from the 1984 movie, Amadeus …
Let’s celebrate the arrival of spring with a performance of Beethoven’s Violin Sonata No. 5 in F Major, Opus 24. Sometime after this music was published in 1801 it became know as the “Spring” sonata. Can you hear anything “springy” in the music? As you listen, pay attention to the sense of dialogue between the violin and piano. What kind of a conversation are they having? Listen to the musical cat and mouse …
Following up on last month’s post, let’s return to the music of Franz Schubert. Now we’ll hear how Schubert cleverly turned the melody of one of his songs into the second movement of a string quartet. Let’s start by listening to the song Death and the Maiden, written in 1817. It’s performed here by the legendary contralto, Marian Anderson. The text is from a poem by Matthias Claudius. Follow the English translation below. Death …
Schubert and Beethoven were contemporaries at the dawn of the Romantic Era, yet each approached composition differently. Beethoven painstakingly developed small musical motives that roared to life as shockingly innovative music. The music of Franz Schubert on the other hand, is firmly rooted in long, flowing, effortless melodies. Although Schubert lived only to the age of 32, he wrote over 600 songs. Before we get to a few Schubert songs, let’s consider …