3 Musical Allusions to Handel’s “Hallelujah Chorus”

And He shall reign forever and ever… It’s one of the most recognizable passages in all of music…ten downward-stepping pitches which somehow evoke the ultimate sense of joy and triumph. The Hallelujah Chorus closes Part II of Messiah, Handel’s most famous oratorio, with a burst of D major combined with trumpets and drums. George II was so moved when he heard the opening introduction that he rose to his feet and remained standing for the …

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Mendelssohn’s Wee Bit of Irish

Tomorrow is Saint Patrick’s Day, an occasion when everyone seems to claim a “wee bit of Irish” heritage, if only in spirit. So let’s hear what happens when a beautiful Irish folk song ends up in the hands of a composer otherwise unconnected to the Emerald Isle. Felix Mendelssohn drew upon a popular Irish folk song for his Fantasia on “The Last Rose of Summer”, Op. 15, a piano work written around 1830. It’s …

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Beware the Ides of March: Musical Reflections on Julius Caesar

Beware the ides of March. -William Shakespeare, Julius Caesar Tomorrow marks the “Ides of March,” the date when Julius Caesar was assassinated on the floor of the Roman Senate in 44 B.C. Dramatized by Shakespeare in 1599, Caesar’s stabbing coincided with Rome’s irreversible evolution from Republic to Empire. Let’s listen to two pieces which were inspired by the life and legend of Julius Caesar: Handel’s Julius Caesar Julius Caesar, George Frideric Handel’s 1724 …

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The Houston Symphony’s New Dvorak Recording

Here’s a sample of the Houston Symphony’s new Dvorak recording, released last Friday. The album, which pairs Dvorak’s Seventh and Eighth Symphonies, is music director Andrés Orozco-Estrada’s inaugural recording with the orchestra. It’s the first in a series of Houston Symphony Dvorak disks on the Dutch-based Pentatone label. A May 1 release will include Symphony No. 6 and later in the year the series will conclude with Symphony No. 9. Dvorak’s bubbly Czech-folk-inspired Slavonic Dances …

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Remembering Nikolaus Harnoncourt

German conductor and early music pioneer Nikolaus Harnoncourt passed away on Saturday. He was 86. Harnoncourt began his musical career as a cellist in the Vienna Symphony. In 1953, he founded the period-instrument ensemble Concentus Musicus Wien. His early discography included baroque works by Purcell, J.S. Bach, Monteverdi, and Rameau. Later, his repertoire grew to include Romantic and twentieth-century music. (In 2009, he recorded Gershwin’s Porgy and Bess). Harnoncourt will be remembered as a passionate …

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The Tetzlaff Trio Plays Brahms

Piano Trio No. 1 in B major, Op. 8 is a piece that bookended the compositional career of Johannes Brahms. In 1854, it became the 21-year-old composer’s first published chamber music composition. As Brahms prepared for retirement over thirty years later in 1890, he returned to this early work for minor revisions. He said, “I didn’t provide it with a new wig, just combed and arranged its hair a little.” The revised version (featured below) is …

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The 2016 Classical Grammys

Here is an overview of the 2016 Grammy Awards in the classical categories, announced earlier this week. The list is dominated by twentieth century music, both familiar and obscure. Several of the albums are live concert recordings. Best Orchestral Performance “Shostakovich: Under Stalin’s Shadow — Symphony No. 10,” Andris Nelsons, conductor (Boston Symphony Orchestra) This is Andris Nelsons’ inaugural recording as Music Director of the Boston Symphony. The album includes Shostakovich’s Symphony No. …

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