Symphony

Beethoven’s Eighth Symphony: An Overlooked Gem

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When it came to writing symphonies, Beethoven seems to have ascribed to the wisdom of moderation. Beethoven’s odd numbered symphonies (especially, beginning with the Third) were big, heroic game changers. The first audiences must have been stunned by their bold innovations and their often ferocious, titanic energy. By contrast, the often-neglected even numbered symphonies are sometimes described as more “classical.” They open up a strikingly different, but equally thrilling, world. One of …

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Semyon Bychkov on “The Tchaikovsky Project”

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This weekend, Russian conductor Semyon Bychkov leads the New York Philharmonic in a festival called Beloved Friend: Tchaikovsky and His World. It’s a small piece of The Tchaikovsky Project, which includes a cycle of recordings, released on the Decca label, featuring Bychkov and the Czech Philharmonic. In a recent interview, Bychkov talked about the project with Richmond Public Radio’s Mike Goldberg. Released in October, The Tchaikovsky Project’s first recording begins at the end of the composer’s output with …

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Franck’s Symphony in D Minor: Music of a Solitary Dreamer

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Franck went through this life as a dreamer, seeing little or nothing of that which passed about him, thinking only of his art and living only for it. True artists are subject to this kind of hypnotism – the inveterate workers, who find the recompense of their labors in the accomplished fact, and incomparable joy in the pure and simple toil of each day. This is how music critic Philip Hale described …

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The Restless Final Coda of Bruckner’s Eighth

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Here is the final movement of Anton Bruckner’s Symphony No. 8 in C minor, performed in 2000 by the North German Radio Symphony Orchestra and conductor Günter Wand. The clip below proves that conducting goes far deeper than flashy gestures. The 88-year-old Wand employs the most simple, economical means and Bruckner’s music leaps to life with an awe-inspiring, titanic power. The best Bruckner performances can rise to the level of mystical events, and this …

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Roméo et Juliette: Berlioz’ Dramatic Symphony

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…Here a new world is opened up to view, one is raised into a higher ideal region, one senses that the sublime life dreamed of by poets is becoming a reality.  This is how Hector Berlioz described the dramatic potential of a bold new kind of symphonic music- a free-spirited Romanticism born out of the earth-shattering monumentality of Beethoven’s Ninth, which left behind classical balance and order to enter dark, new psychological …

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Dvorak’s Seventh Symphony: Defiantly Czech

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Consider, for a moment, all of the possible ways a symphony can begin. Then, listen carefully to the opening of Antonín Dvořák’s Symphony No. 7 in D minor. This opening statement, emerging out of the dark depths of D minor, is filled with mystery, tension, quiet anxiety, and restless, heroic energy. It’s a world away from the sunny majesty of Dvořák’s Eighth or the hushed, lamenting nostalgia of the introduction of the “New World” Ninth. Here, …

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Remembering Sir Neville Marriner

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Every great conductor started out as an accomplished instrumentalist. Look at the biography of Sir Neville Marriner, who passed away yesterday at the age of 92, and you’ll be reminded of this truism. In the 1950s, Marriner performed as a violinist in two celebrated orchestras: the Philharmonia and the London Symphony. For 13 years, he served as second violinist of the Martin String Quartet. He first picked up a baton around age 40. …

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