Symphony

Adolph Herseth and the Chicago Sound

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Adolph “Bud” Herseth, the longtime principal trumpeter of the Chicago Symphony passed away in April, 2013. Herseth’s 53-year association with the Chicago Symphony began in 1948 when conductor Artur Rodzinski invited him to audition for the CSO’s principal trumpet position. Herseth will forever be associated with the distinct sound of the Chicago Symphony brass section, which developed in the 1950s and 60s during Fritz Reiner’s tenure as music director and flourished during Georg Solti’s tenure …

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Good Composers Copy, Great Composers Steal

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Pablo Picasso once said, “Good artists copy, great artists steal.” It’s a philosophy embraced by some of the most creative innovators, including Steve Jobs: the idea of assimilating a good idea and using it as a springboard for something new. Composers have occasionally done this, both consciously and subconsciously, under the guise of “transformative imitation.” Handel, who frequently wrote under time constraints, was famous for borrowing passages from his own previous works, …

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Schumann’s First Symphony: Spring Blooms Forth

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It begins with a majestic trumpet and horn fanfare…a triumphant invocation of spring, inspired by these lines from a poem by Adolf Böttger: O wende, wende deinen Lauf— Im Thale blüht der Frühling auf! O turn, O turn and change your course— In the valley spring blooms forth! It’s hard to imagine a piece more infused with the spirit of spring than Robert Schumann’s First Symphony. Schumann had just married Clara, a renowned …

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The Pastoral Sounds of Brahms’ Second

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When it came to the symphony, Johannes Brahms was haunted by a ghost. Approaching the age of 40, Brahms declared, “I shall never write a symphony! You can’t have any idea what it’s like always to hear such a giant marching behind you!” That giant was Beethoven, who elevated the symphony to new, and previously unimaginable, dramatic heights. As a result, it took Brahms fifteen years to complete his First Symphony. Set in the …

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3 Musical Allusions to Handel’s “Hallelujah Chorus”

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And He shall reign forever and ever… It’s one of the most recognizable passages in all of music…ten downward-stepping pitches which somehow evoke the ultimate sense of joy and triumph. The Hallelujah Chorus closes Part II of Messiah, Handel’s most famous oratorio, with a burst of D major combined with trumpets and drums. George II was so moved when he heard the opening introduction that he rose to his feet and remained standing for the …

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Remembering Peter Maxwell Davies

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Earlier in the week, the music world lost another original voice. British composer and conductor Sir Peter Maxwell Davies passed away on Monday following a battle with leukemia. He was 81. A longtime resident of the remote Orkney Islands, Davies was a prolific composer whose works include ten symphonies, chamber music, operas, and concertos. He was an outspoken cultural critic and an advocate for music education, serving as music director at Cirencester …

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The Houston Symphony’s New Dvorak Recording

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Here’s a sample of the Houston Symphony’s new Dvorak recording, released last Friday. The album, which pairs Dvorak’s Seventh and Eighth Symphonies, is music director Andrés Orozco-Estrada’s inaugural recording with the orchestra. It’s the first in a series of Houston Symphony Dvorak disks on the Dutch-based Pentatone label. A May 1 release will include Symphony No. 6 and later in the year the series will conclude with Symphony No. 9. Dvorak’s bubbly Czech-folk-inspired Slavonic Dances …

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