English composer John Tavener passed away yesterday. Born in 1944, Tavener was known for meditative choral music, influenced by minimalism and Gregorian chant. Here is the Winchester Cathedral Choir singing, As One Who Has Slept: Here is Lament of the Mother of God: https://itunes.apple.com/us/artist/john-tavener/id201609509″]Find on iTunes http://www.amazon.com/John-Tavener-Innocence-J/dp/B000002AUN”]Find on Amazon
Monday’s post featured the first movement of Beethoven’s revolutionary Symphony No. 3 in E-flat major (“Eroica”) Op. 55. This music, which helped plant the seeds of Romanticism, introduced shocking new sounds and an expansive, heroic form. Let’s continue and listen to the other three movements: [typography font=”Cantarell” size=”28″ size_format=”px”]Marcia funebre. Adagio assai[/typography] Beethoven’s second movement is a solemn funeral march. Paying attention to the rhythm, consider what aspects of the music suggest a …
Revolutionary, exhilarating, ferocious, heroic…these are all words which could describe Beethoven’s Symphony No. 3 in E-flat major (“Eroica”) Op. 55. The “Eroica” stretches the elegant Classicism of Mozart and Haydn to its breaking point and plants the seeds of Romanticism. This is music of Revolution (the French and American) and the ideals of the common man. The dawn of Romanticism brought profound changes. The stately private palace gave way to the public concert …
The vibrant Fall colors outside my window are a great excuse to listen to Vivaldi’s third concerto, “Autumn” from “The Four Seasons. Antonio Vivaldi (1678-1741) was writing and playing this music at a time when the violin was developing as a virtuosic instrument. There’s a youthful joy in this music, as if he’s saying, “Look what the violin can do!” The key to playing this music well is to make the technical passages sound effortless …
Following up on my post, Jack Benny and the Violin, here are two more funny violin-centered comedy clips. First, Jack Benny demonstrates the subtle differences between a Stradivarius and an average violin: Comedy aside, Strads really don’t play themselves. It takes time to learn exactly how to make these violins sing. Many violinists comment on the endless colors and expression they discover as they play these great instruments. I’m reminded of a story about …
Pablo de Sarasate’s violin showpieces evoke the sunny, exotic warmth of Spain. A violinist and composer, Sarasate (1844-1908) contributed greatly to the development of the violin. Here are a few legendary performances of his short, technically dazzling pieces. [typography font=”Cantarell” size=”28″ size_format=”px”]Zapateado[/typography] We’ll start with a performance of Zapateado from Midori’s 1990 Carnegie Hall debut recital. I featured another piece from this recital in a past post. Zapato is the Spanish word for “shoe.” Zapateado is …
Today marks the 200th birthday of the great Italian opera composer, Giuseppe Verdi. Verdi wrote dramatically powerful operas such as Aida, Otello, Un Ballo in Maschera and Rigoletto. Here is the Overture to La forza del destino performed by Riccardo Muti and the Vienna Philharmonic. What moods and dramatic situations are suggested by the music? How does Verdi convey these emotions? https://www.youtube.com/watch?v=thxOV5_YCh4 The greatness of Verdi is a simple thing. Solitary by nature, he found a way of speaking …