Twentieth Century

Ravel’s String Quartet in F Major

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Great composers are never born out of the smug, comfortable bubble of academia. School has its place when it comes to perfecting the essential technical craft of composition (Beethoven studied with Haydn). But in the end, the greatest composers largely have been outcasts. Their bold, exciting and disruptive visions are usually misunderstood and rejected by the ruling establishment of the day. They hear things that others cannot. The story of Maurice Ravel’s String …

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The Atlanta Symphony: A Tradition in Jeopardy

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You could almost hear the classical music world’s collective groan on Sunday as the Atlanta Symphony became the latest orchestra to impose a lockout on its musicians. The lockout went into effect after both sides were unable to agree to a contract by an 11:59 Saturday deadline. This follows last year’s fifteen month long Minnesota Orchestra lockout, which resulted in the departure of the music director, executive director and numerous musicians. At Adaptistration, …

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Tundra

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In 1990 the Helsinki Philharmonic commemorated the 125th anniversary of Jean Sibelius’ birth with the commission of Tundra, a short but powerful orchestral piece by Danish composer Poul Ruders (b. 1949). Wednesday’s post featured the dark, brooding sounds of Sibelius’ Fifth Symphony. You’ll hear a similar icy, Scandinavian sonic landscape in Ruders’ Tundra. There are also direct echoes of Sibelius. Take a moment and listen to the Sibelius Fifth’s singular climactic event, the distinctive “Swan Theme” …

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Nordic Spin: Sibelius’ Fifth Symphony

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Listen carefully to the way Jean Sibelius’ Fifth Symphony begins. An expansive opening motive, quiet, awe-inspiring and mystical, sets the entire mighty symphony in motion. The Finnish composer, Jean Sibelius (1865-1957) famously insisted on periods of prolonged silence when he was working. Appropriately, the opening of the Fifth almost seems to emerge from the bleak, desolate stillness of a Scandinavian forest. The tympani’s roll from B-flat to E-flat, taken by itself, would suggest a simple …

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Fanfare for the Common Man

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In honor of Labor Day, here is a great performance of Aaron Copland’s Fanfare for the Common Man, featuring the New York Philharmonic brass and percussion sections with conductor James Levine. In 1942, as the US entered the Second World War, Cincinnati Symphony music director Eugene Goossens commissioned eighteen composers to write fanfares. The title of Copland’s Fanfare was inspired by a speech, given by Vice President Henry Wallace, called Century of the Common Man. A few years …

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Howard Hanson and the Sounds of the Wide Open Prairie

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More than any other composer, Aaron Copland is credited with establishing the virtual soundtrack of the American West. Listening to Copland ballet scores such as Rodeo and Billy the Kid, or his music for the film The Red Pony, instantly evokes images of wide open prairie spaces and the rough and tumble adventure of a mythical frontier. These associations have been re-enforced by countless film scores which generously borrowed Copland’s sound (the opening of Elmer Bernstein’s score for The …

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Arvo Pärt: Spirit in Sound and Space

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In June the Metropolitan Museum of Art and St. Vladimir’s Orthodox Theological Seminary hosted a thought-provoking discussion, Spirit in Sound and Space- A Conversation Inspired by Arvo Pärt, in conjunction with this summer’s Arvo Pärt Project. The discussion brought together architect Steven Holl, neuroscientist Robert Zatorre, and musician and theology professor Peter Bouteneff. For Steven Holl, one of the most visionary contemporary architects, ideas often emerge through the process of painting watercolors. Buildings like the Chapel of St. Ignatius in Seattle and the Knut …

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