Twentieth Century

Jason Vieaux: “In a Sentimental Mood”

by

American guitarist Jason Vieaux is our guest soloist for this weekend’s Richmond Symphony concerts. His Grammy-winning 2014 album, Play, includes this beautifully atmospheric performance of Duke Ellington’s In a Sentimental Mood: An interesting story surrounds the 1935 composition of this famous jazz standard. According to Ellington, We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for …

Read more

Philip Glass at 80

by

Tomorrow marks the 80th birthday of American composer Philip Glass. In celebration, conductor Dennis Russell Davies will lead the Bruckner Orchestra Linz in a world premiere performance of Glass’ Symphony No. 11 at Carnegie Hall. Along with Steve Reich, Terry Riley, and La Monte Young, Philip Glass was a leading voice in the American minimalist movement which emerged in the late 1960s and 70s. His music from this period, which includes the gradually unfolding Music in Similar Motion (1969) and …

Read more

Remembering Estonian Choral Composer Veljo Tormis

by

The prolific Estonian composer Veljo Tormis passed away last Saturday. He was 86. Tormis’ music, deeply rooted in the ancient Estonian folk tradition, includes more than 500, mostly a cappella, choral compositions. His music played a role in the revolutionary movement for Estonian independence from the Soviet Union. (The documentary, The Singing Revolution, chronicles the spontaneous, overnight, mass singing demonstrations which unfolded at the Tallinn Song Festival Grounds in June, 1988). Veljo Tormis described the …

Read more

Adam Schoenberg’s “Bounce”: Radiohead Meets Copland

by

This has to be some of the most playfully exuberant and joyful music ever written. American composer Adam Schoenberg (b. 1980) wrote Bounce in 2013, after learning that he was about to become a father. In an interview, Schoenberg explained, The very first word that came to mind, both for the baby and the commission, was ‘bounce.’ It felt playful, innocent, fun, light. And rhythmic. The piece, which has been described as “Radiohead meets …

Read more

“Hallelujah, Baby!”: African-American Civil Rights on Broadway in 1967

by

In celebration of Martin Luther King Jr. Day, here are two excerpts from Hallelujah, Baby!, a 1967 Broadway musical which has been described as “a chronicle of the struggle for equality during the [first half of the] 20th century.” The plot of Hallelujah Baby! centers around Georgina, a talented, young African-American woman who is determined to develop a career in show business despite her mother’s advice that she “keep her place” as a maid on a South Carolina estate. …

Read more

New Release: Renee Fleming’s “Distant Light” Blends Barber and Björk

by

Soprano Renee Fleming’s latest album, Distant Light, was released last Friday on the Decca Classics label. Recorded with the Royal Stockholm Philharmonic Orchestra in the acoustically opulent Konserthuset, Distant Light features a hauntingly atmospheric assortment of twentieth century Scandinavian music. The exception is the opening track: Samuel Barber’s dreamy, nostalgic Knoxville: Summer of 1915, written in 1947. (If you find yourself longing for the warmth of summer, the sultry Tennessee night air experienced in Barber’s front porch rocking …

Read more

Beginnings: Exploring the Music of “Chicago”

by

In celebration of the New Year, here is Beginnings from the 1969 debut album of the rock band, Chicago. You might associate Chicago with 1980s ballads like You’re The Inspiration, produced during Peter Cetera’s tenure as lead singer. (That song, written by Cetera and David Foster, offers a fascinating study in continuous modulations built on third relationships). But for most of its history, Chicago has been rooted in a much different, uniquely jazz-inspired sound. From its inception, Chicago was a rock band built …

Read more