Bach’s Musical Offering: The Ricercars

J.S. Bach’s monumental chamber music collection, Musikalisches Opfer (The Musical Offering), was inspired by a momentous meeting. It began on May 7, 1747 when Bach met Frederick the Great in Potsdam. At the time, J.S Bach’s son, Carl Philipp Emanuel, was employed as one of the Prussian King’s most prized musicians. Frederick gave the elder Bach a tour of his palace, showcasing his vast collection of instruments, among which was a novel new keyboard …

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Youthful Webern: “Im Sommerwind,” Idyll for Large Orchestra

The Austrian composer Anton Webern (1883-1945) is remembered as one of the principal exponents of the Second Viennese School. This group, which included Arnold Schoenberg and Alban Berg, pioneered the atonal and serial techniques which dominated much of twentieth century music. Webern explored this striking new kind of music with sparse, compact pieces such as Five Movements for String Quartet, Op. 5 and the quirky, twelve-tone Concerto for Nine Instruments, Op. 24. Im Sommerwind (“In the Summer …

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Webern’s Inaugural Opus: “Passacaglia for Orchestra”

Today marks the 135th anniversary of the birth of the Austrian composer Anton Webern (1883-1945). Along with Arnold Schoenberg and Alban Berg, Webern was part of the Second Viennese School, an early twentieth century movement in which atonal and twelve-tone music grew out of fading late Romanticism. In September, 1945, Webern became a casualty of the Second World War. While smoking a cigar on his porch, he was fatally shot by an American soldier during …

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Webern’s Piano Quintet and the Spirit of Brahms

What happens when the harmonic language of Brahms meets a dissolving tonal center? The answer might be Anton Webern’s Quintet for Strings and Piano.  Written in 1907, this is one of Webern’s early works. It’s set in a single movement which lasts just over ten minutes. There are tantalizing echoes of the music of Brahms, who died ten years earlier in 1897. We hear the same expansive voicing and soaring, Romantic phrases. But …

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Exploring the Lullaby

The lullaby is universal and timeless. It’s one of the clearest expressions of the deep bond between mother and young child. Its gentle, repetitive, rocking rhythm lulls infants to sleep. The simple expression of its melody evokes warmth and security. At the same time, many lullabies contain an inexplicable hint of sadness. From Franz Schubert to George Gershwin to U2, music history is full of lullabies. Here are five of my favorites: …

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