The Promise of Living: Copland for Labor Day

The Promise of Living, the soaring finale of Aaron Copland’s 1954 opera, The Tender Land, seems vaguely appropriate for Labor Day. Its libretto by Horace Everett (a pseudonym for Erik Johns) evokes the dignity and meaningfulness of labor. Honest work, in this case cultivating the soil of the American heartland and reaping the blessings of a rich harvest, is part of a balanced and fulfilled life: The promise of living with hope and thanksgiving is …

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On the Town with Misty Copeland

  Tomorrow, Misty Copeland, the first African-American woman to be named a principal dancer with the American Ballet Theater, will begin a two week stint on Broadway. Copeland will join the cast of the latest production of On the Town, playing the role of Ivy Smith. Here is a preview and here is Terry Teachout’s review of the production. In the world of ballet, Misty Copeland is a ground breaker, redefining long-held views regarding the …

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The Lydian String Quartet, Up Close and Personal

Here are two clips which provide an intimate, virtual front row seat to the excellent, Boston-based Lydian String Quartet. You’ll get a sense of the subtle communication that takes place between members of a fine chamber music group. Hours of rehearsing together allow for spontaneous musical conversations to unfold as one voice reacts to the timing and phrasing of another. Formed in 1980, the Lydian String Quartet won the 1984 Walter W. Naumburg …

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Elgar’s Second Symphony at the 2015 Proms

The BBC Proms are in full swing in London. The annual summer series, featuring over 70 concerts at Royal Albert Hall, has been a magnet for music lovers since 1895 when the British Empire stretched across the globe. It’s a joyful and inclusive cultural event that wipes away any hint of pretension. In addition to reserved seating, inexpensive standing-room tickets are sold, inspiring one conductor to describe the Proms as, “the world’s …

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The Recorded Legacy of Ginette Neveu

Tomorrow marks the 96th anniversary of the birth of French violinist Ginette Neveu. At the time of her tragic death at the age of 30 in an airplane crash, Neveu was widely regarded as one of the finest violinists of her generation. Her playing was characterized by an almost otherworldly fire and searing intensity. Her recordings exhibit a natural perfection of phrasing and a soulfulness of sound that cut through the limitations …

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Three Musical Portraits of Cuba

Cuba is home to one of the world’s richest musical melting pots…the vibrant convergence of west African and European (especially Spanish) musical traditions over 500 years of history. From rumba and son cubano to Afro-Cuban jazz and salsa, this Latin musical stew often features dizzying rhythmic complexity while retaining a suave sense of “cool.” Clave rhythm, the source of this “cool” complexity, gives Latin music its unique sense of swing. It’s a rhythmic …

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Appalachian Spring: Bernstein and the LA Phil

Aaron Copland’s 1944 ballet score, Appalachian Spring, has already been the subject of two Listeners’ Club posts (here and here). But let’s return to this American masterwork once more and listen to Leonard Bernstein’s 1982 Deutsche Grammophon recording with the Los Angeles Philharmonic. You would be hard pressed to find a more exciting and soulful interpretation of the Appalachian Spring Suite, including Copland’s own rendition and Bernstein’s slightly faster “definitive” 1961 recording with the New York Philharmonic. …

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