The Promise of Living: Copland for Labor Day

The Promise of Living, the soaring finale of Aaron Copland’s 1954 opera, The Tender Land, seems vaguely appropriate for Labor Day. Its libretto by Horace Everett (a pseudonym for Erik Johns) evokes the dignity and meaningfulness of labor. Honest work, in this case cultivating the soil of the American heartland and reaping the blessings of a rich harvest, is part of a balanced and fulfilled life: The promise of living with hope and thanksgiving is …

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Dmitry Sinkovsky’s Hardcore Vivaldi

  There’s an old joke that Antonio Vivaldi didn’t write 500 concertos, he wrote the same concerto 500 times. Vivaldi’s own performances were undoubtedly infused with a virtuosic freedom and sense of spontaneity that grew out of improvisation and ornamentation. Robbed of these elements, modern performances of Vivaldi can sometimes sound formulaic, like bland elevator music. But if you want to hear just how exciting and adventurous Vivaldi’s music can be, listen …

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Perlman Turns 70

A belated happy birthday to Itzhak Perlman who turned 70 on Monday. Perlman rose to prominence during the second half of the twentieth century, displaying musical warmth, technical panache, and an unusually thick, singing tone, rich in overtones. He is one of only a handful of front rank musicians who have also achieved celebrity status. In 1964, at the age of 18, he captured public attention with an appearance on the Ed Sullivan Show. …

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Oliver Sacks’ Earliest Musical Memory

  The English neurologist Oliver Sacks passed away yesterday at the age of 82, following a battle with cancer. Sacks examined the relationship between music and the brain. His research highlighted the surprising ways some Parkinson’s and Alzheimer’s patients respond to music. Demonstrating that music occupies more areas of the brain than language, Sacks considered music to be fundamental to humanity. His findings are outlined in his 2007 book, Musicophilia: Tales of Music and …

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Marking the Tenth Anniversary of Katrina

As we mark the ten year anniversary of Hurricane Katrina, here are the soulfully defiant sounds of the New Orleans-based Treme Brass Band. This is music that proudly proclaims, “we’re still here!” It’s the same sense of spirit that emerges from the solemn jazz funeral procession that suddenly turns into an uplifting street celebration. I heard the Treme band when I was in New Orleans, earlier in the summer. Here is Jesus on …

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Gidon Kremer’s Changing Approach to Solo Bach

  It’s some of the most deeply profound and perfect music ever written, and it employs the most economical means imaginable. J.S. Bach’s six Sonatas and Partitas for solo violin, completed in 1720 and neglected until almost a century later, are a cornerstone of the violin repertoire. They’re studied by every serious violin student. Yet, as you play solo Bach, you quickly get the sense that it takes a lifetime to fully grasp the …

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On the Town with Misty Copeland

  Tomorrow, Misty Copeland, the first African-American woman to be named a principal dancer with the American Ballet Theater, will begin a two week stint on Broadway. Copeland will join the cast of the latest production of On the Town, playing the role of Ivy Smith. Here is a preview and here is Terry Teachout’s review of the production. In the world of ballet, Misty Copeland is a ground breaker, redefining long-held views regarding the …

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