Korngold’s String Sextet: Basking in Romanticism’s Vibrant Twilight

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Erich Wolfgang Korngold (1897-1957) was one of music history’s greatest prodigies, along the lines of the young Mozart and Mendelssohn. When he was 10, Mahler declared him to be a genius, and by age 13 his music was performed at the Vienna Court Opera. His 1920 opera, Die tote Stadt (“The Dead City”), was performed extensively throughout the world, reaching more than 80 stages. Then, with the rise of the Nazis, Korngold was …

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Remembering Charles Wuorinen

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The American composer, Charles Wuorinen, passed away last week. He was 81. In 1970, Wuorinen was awarded a Pulitzer Prize for his electronic composition, Time’s Encomium. (Until 2017, he held the distinction of being the youngest person ever to win the music prize). Other works include eight symphonies, four piano concertos, and two operas. Throughout his life, Wuorinen was an unapologetic proponent of the twelve-tone system of composition, in which the twelve pitches …

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Bach’s Orchestral Suite No. 1 in C Major: Embracing and Transcending Fashion

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The Overture which opens J.S. Bach’s First Orchestral Suite was built on a well-established, preexisting model. You could even call it a formula. It was the stylish “French Overture,” dating back to the 1650s, which opened the ballets of Jean-Baptiste Lully (1632-1687), a composer who spent most of his life employed by the court of Louis XIV. The French Overture begins with a majestic slow section consisting of stately dotted rhythms fit for …

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“Salvation is Created”: The Meditative Sacred Music of Pavel Tschesnokoff, VOCES8

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Spaséñiye, sodélal (“Salvation is Created”), by the Russian composer Pavel Tschesnokoff (1877-1944), is a Communion Hymn intended for the Russian Orthodox liturgy for Friday. Its text (“Salvation is created, in midst of the earth, O God, O our God. Alleluia”) is based on Psalm 74. It is a setting of a Kievan chant melody. Written in 1912, it is one of the last sacred works composed by Pavel Tschesnokoff. Following the Russian Revolution, the Soviet Union’s …

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Brahms’ String Sextet No. 1, Op. 18: Janine Jansen and Friends

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There is something comforting and nostalgic about the opening of Johannes Brahms’ String Sextet No. 1 in B-flat Major. It begins with an expansive theme in the cello, which seems to draw us in and wrap its arms around us in a warm embrace. In this melody, you can hear the motivic seeds of the similarly warm and majestic theme from the final movement of Brahms’ First Symphony. Completed in 1860, this is music by …

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Chopin’s Berceuse and the Music of Bill Evans

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Listen to Frédéric Chopin’s D-flat major Berceuse, Op. 57, completed in 1844, and you might get the uncanny feeling that you’re hearing a jazz improvisation. As its title suggests, on one level, Chopin’s masterwork is a dreamy, gently rocking lullaby. Until the final cadence, it’s built on a sublime harmonic oscillation made up of just two chords. It begins with a serene melody which seems to anticipate the Gymnopédies of Erik Satie, published …

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Haydn’s Symphony No. 97 in C Major: Celebratory Trumpets and Drums

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Symphony No. 97 in C Major was the last of the six initial “London” symphonies Franz Joseph Haydn composed. It was first performed at London’s Hanover Square Rooms on the third or fourth of May, 1792. The young Beethoven used this music as the model for a C major symphony which he never completed. Boisterous and festive, Symphony No. 97 is filled with the celebratory sounds of trumpets and drums. A single, emphatic …

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