John Henry

According to legend, the African American folk hero John Henry was one of the strongest and fastest steel-driving men to work on the railroads in the post-Civil War era. The steel-driver’s work involved hammering a steel drill into rock. Explosives were placed in the crevice in order to blast away the rock to construct railroad tunnels. In the late nineteenth century, manual labor was replaced by the steam-powered hammer. John Henry entered …

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Excerpts from Houston Grand Opera’s Adventurous Discography

The water is receding and the cleanup begins in Houston’s hard-hit theater district. The Wortham Theater Center, home of Houston Grand Opera, experienced significant flooding from Hurricane Harvey with water reaching the top of one of the complex’s stages. Referencing a recent staging of Wagner’s Ring Cycle, the company put out a statement this week including the following lines,  Houston Grand Opera will recover and deliver a fantastic season to our patrons, giving them the …

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Schubert’s “Tragic” Fourth Symphony

Some incredibly sublime music was written in the shadow of Beethoven. For a case in point, look no further than Franz Schubert’s Symphony No. 4 in C minor. The 19-year-old Schubert completed this work in April, 1816. It didn’t receive a public premiere until 1849, more than two decades after the composer’s death. For those who rediscovered Schubert’s symphonies (including the epic Ninth), the feeling must have been something akin to finding a wad …

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Old and Lost Rivers: A Soundscape of Texas Bayou Country

The marshy topography of the Texas and Louisiana Gulf Coast is dotted with bayous- meandering, slow-moving streams which can suddenly spring to life and transform into raging torrents. This dynamic process was on display over the weekend amid the catastrophic flooding in the aftermath of Hurricane Harvey. As we keep our friends in Houston in our thoughts, let’s listen to a piece which was inspired by this unique Texas topography. American composer Tobias …

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Aida Garifullina: Maria’s Lullaby from Tchaikovsky’s “Mazeppa”

Over the past few weeks, we have explored a few of the albums honored with a 2017 ECHO Klassik- Germany’s prestigious annual classical music awards. Today, we’ll turn our attention to the debut album of Russian operatic soprano Aida Garifullina. The recording, simply titled Aida Garifullina, won in the category of “Solo Recording/Voice (Arias/Recitals).” It’s a compilation of arias and songs by composers including Tchaikovsky, Rachmaninov and Rimsky-Korsakov. Garifullina is accompanied by Vienna’s ORF Radio-Symphonieorchester Wien and conductor Cornelius …

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Happy Birthday, William Primrose

Today marks the anniversary of the birth of the Scottish violist and teacher, William Primrose (1904-1982). Primrose performed in Arturo Toscanini’s NBC Symphony in the late 1930s and formed the Primrose Quartet. He made numerous recordings with Jascha Heifetz, Gregor Piatigorsky, and Arthur Rubinstein. He commissioned and premiered Béla Bartók’s Viola Concerto, a piece which was finished posthumously after the composer’s death in 1945. As a teacher, he contributed several books on viola playing. Primrose’s singing tone …

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“Total Eclipse” from Handel’s “Samson”

Total eclipse! No sun, no moon! All dark amidst the blaze of noon! Total Eclipse, the aria from Handel’s 1743 oratorio, Samson, isn’t directly referencing the kind of awe-inspiring celestial dance many of us will experience today. The words, taken from John Milton’s tragic closet drama, are Samson’s anguished lament at losing his eye sight. (Milton and Handel both went blind. According to some accounts, this aria moved Handel to tears in the final years of …

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