Tundra

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In 1990 the Helsinki Philharmonic commemorated the 125th anniversary of Jean Sibelius’ birth with the commission of Tundra, a short but powerful orchestral piece by Danish composer Poul Ruders (b. 1949). Wednesday’s post featured the dark, brooding sounds of Sibelius’ Fifth Symphony. You’ll hear a similar icy, Scandinavian sonic landscape in Ruders’ Tundra. There are also direct echoes of Sibelius. Take a moment and listen to the Sibelius Fifth’s singular climactic event, the distinctive “Swan Theme” …

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Nordic Spin: Sibelius’ Fifth Symphony

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Listen carefully to the way Jean Sibelius’ Fifth Symphony begins. An expansive opening motive, quiet, awe-inspiring and mystical, sets the entire mighty symphony in motion. The Finnish composer, Jean Sibelius (1865-1957) famously insisted on periods of prolonged silence when he was working. Appropriately, the opening of the Fifth almost seems to emerge from the bleak, desolate stillness of a Scandinavian forest. The tympani’s roll from B-flat to E-flat, taken by itself, would suggest a simple …

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Fanfare for the Common Man

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In honor of Labor Day, here is a great performance of Aaron Copland’s Fanfare for the Common Man, featuring the New York Philharmonic brass and percussion sections with conductor James Levine. In 1942, as the US entered the Second World War, Cincinnati Symphony music director Eugene Goossens commissioned eighteen composers to write fanfares. The title of Copland’s Fanfare was inspired by a speech, given by Vice President Henry Wallace, called Century of the Common Man. A few years …

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Clementine

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The eclectic, Portland-based musical group, Pink Martini is the furthest you can get from the homogeneous mediocrity of slickly marketed corporate pop music. Founded in 1994, and dubbed the “little orchestra”, it’s a group where music takes precedence over category. According to their website, Pink Martini blends “genres of classical, jazz and old-fashioned pop.” I remember performing with them when they appeared with the Richmond Symphony about seven years ago. The song Clementine comes from their 2004 album, Hang …

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Are We Forgetting How to Listen?

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The world is becoming increasingly saturated with information, but arguably less thoughtful. That was the topic of a recent opinion piece in the New York Times. In Hit the Reset Button in Your Brain, Daniel J. Levitin writes about the increasing amount of information our brains are trying to process through e mails, tweets, Facebook and other technology. All of this crowds out daydreaming, which he cites as the true source of creativity: Daydreaming leads to …

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Howard Hanson and the Sounds of the Wide Open Prairie

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More than any other composer, Aaron Copland is credited with establishing the virtual soundtrack of the American West. Listening to Copland ballet scores such as Rodeo and Billy the Kid, or his music for the film The Red Pony, instantly evokes images of wide open prairie spaces and the rough and tumble adventure of a mythical frontier. These associations have been re-enforced by countless film scores which generously borrowed Copland’s sound (the opening of Elmer Bernstein’s score for The …

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Beethoven’s Ghost

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When you hear the second movement of Beethoven’s Piano Trio in D Major, Op. 70, No. 1, you’ll immediately understand why this piece earned the nickname, the “Ghost” Trio. It’s some of the most eerie, strange and terrifying music ever written. It constantly keeps you off guard, taking sudden and unexpected turns, like a shadowy apparition which is there one minute and gone the next. As the second movement unfolds, it may play …

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