Mahler’s First Symphony: The Titan

Mahler’s Symphony No. 1 in D Major is music rooted in nature and song. It is the work of a 28-year-old composer who was rapidly rising as one of Europe’s premier conductors, and who was coming out of a stormy love affair with Marion von Weber, the wife of the grandson of composer, Carl Maria von Weber. It is music which synthesizes the Romantic influences of Beethoven, Schubert, Berlioz, Liszt, and Bruckner, …

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Michael Torke’s “Chancel” (“Sessions, 3 A.M.”): The Virtue of Simplicity

Chancel is the third single to be released from Sessions, 3 A.M, the latest album by the American composer, Michael Torke. The complete recording will be available in November. Recorded last May at the Samurai Hotel Studio in Queens, New York, Sessions, 3 A.M features a collection of fifteen brief and atmospheric pieces for solo piano which are performed by the composer. The excerpts that are currently available suggest the magical, nocturnal vibe of an …

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Sibelius’ “The Dryad”: A Fleeting, Impressionistic Tone Poem

Jean Sibelius’ impressionistic tone poem, The Dryad (Dryaden), Op. 45, No. 1, is magical and fleeting. It begins with hushed, searching melodic strands which seem to drift over a dark, desolate, and frigid nordic landscape before coalescing into a high-spirited dance. At moments, the woodwinds erupt in cackling laughter and shrieks of merriment. Tonal colors capture the shimmering brilliance of sunlight on snow. The wood nymphs, upon which the piece is based, come …

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Mozart’s “Il Re Pastore”: Excerpts from a Youthful Opera

Mozart’s two-act opera, Il re pastore (“The Shepherd King”), K. 208, written to a libretto by Pietro Metastasio, tells a fanciful story in which love and faithfulness triumph over ambition. The following brief synopsis is provided by Opera Online: Alessandro, king of Macedonia (soprano), having just conquered the city of Sidon, wants it to be ruled by Aminta (soprano), the young legitimate heir who became a shepherd after he was removed from the throne …

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Mozart’s Violin Concerto No. 3 in G Major: David Oistrakh in Concert in 1968

Mozart’s earliest childhood performances as a violinist were recounted humorously by Johann Andreas Schachtner. In a 1792 letter to Mozart’s sister, Maria Anna, or “Nannerl,” Schachtner, a close friend of the family, recalled an occasion when he was invited to play second violin for an informal chamber music session at the Mozart house. Little Wolfgang asked to be allowed to play second violin. As he hadn’t had any lessons yet, your Papa …

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Scriabin’s Piano Sonata No. 5: Summoning Mysterious Forces

Alexander Scriabin’s Piano Sonata No. 5 arrived amid a six day burst of creative energy in December of 1907. In a letter, the composer’s wife, Tatyana Schloezer, reported, Sasha has already managed… to compose a fifth sonata!!! I don’t believe my ears, it is unbelievable! The sonata flowed from him in a kind of stream. […] What you have heard is nothing, the sonata is unrecognizable, it cannot be compared with anything. …

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Mussorgsky’s “Boris Godunov” (1869 Version): “Death Does Not Frighten Me”

Set in Russia between 1598 and 1605, Modest Mussorgsky’s opera, Boris Godunov, tells the story of a Tsar who usurps the throne by brutal means, bears witness to the suffering of his people, and, as a result of his misdeeds, descends into loneliness, remorse, paranoia, and madness, leading to his ultimate death. In the end, it is the Russian people, represented by a mighty chorus in the opera’s epic Coronation Scene, which endures. …

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