Leontyne Price: Canzone di Doretta from Puccini’s “La Rondine”

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Giacomo Puccini’s 1917 opera, La Rondine (“The Swallow”), tells the story of Magda, a Parisian courtesan who falls in love with the handsome young Ruggero. Ultimately, Magda is haunted by her past and leaves Ruggero, returning to her old life like a swallow returning to the nest. The opera’s most famous aria, Chi il bel sogno di Doretta, comes in the first act. At a party, the poet Prunier affirms the power of romantic love. …

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Schubert’s Piano Sonata No. 13 in A Major, Mitsuko Uchida

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Franz Schubert’s Piano Sonata No. 13 in A Major is filled with sublime, crystalline melodies which unfold with an inherent sense of logic. It’s music filled with sunshine and the joy of youth. At the same time, there is an underlying and lingering wistfulness. The 22-year-old Schubert wrote this music during the summer of 1819 while vacationing in the idyllic Upper Austrian city of Steyr. Surrounded by an “unimaginably lovely” landscape, Schubert composed the …

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Schubert’s Piano Quintet in A Major, “The Trout”: Music of Sunshine and Youth

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In the summer of 1819, the 22 year old Franz Schubert went on vacation to the idyllic Upper Austrian city of Steyr. He was joined by the noted baritone, Johann Michael Vogl, a close friend and a tireless champion of the young composer’s songs. In elated letters, Schubert described the picturesque, bucolic landscape and the presence of eight lovely young women, “nearly all of them pretty.” This was the youthful, carefree environment in which the Piano …

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Fanfare for the Common Man

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Over the course of five sweltering months spanning the summer of 1787, delegates assembled in Philadelphia to establish one of the most revolutionary documents in human history—the Constitution of the United States. Enshrined in the document is the dignity of the individual. The Constitution’s Bill of Rights, ratified in 1791, guarantees civil rights and liberties to the individual, including freedom of speech, press, and religion. These rights, not granted by law but instead …

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Martinů’s Nonet No. 2: Sunny, Exuberant Neoclassicism

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Bohuslav Martinů (1890-1959) was one of the most significant and prolific Czech composers of the twentieth century. As a young man, Martinů performed as a violinist in the Czech Philharmonic and studied composition briefly with Josef Suk. He left Prague in 1923 and relocated to Paris. There he was drawn to new musical currents which included jazz, neoclassicism, and surrealism. During this time, the French composer Albert Roussel served as his chief mentor. With …

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Brahms’ Alto Rhapsody: The Wanderer Finds Solace

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Early photographs of Johannes Brahms capture a solitary, contemplative figure. Brahms was a lifelong bachelor whose personal motto, Frei aber froh (“Free but happy”), found its way into the opening three pitches of the Third Symphony in the form of a musical cryptogram. The loving, platonic relationship between Brahms and Clara Schumann, and its creative influence, has been well-documented. Yet, scholars believe that for a period of time Brahms also harbored a deep, …

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Mozart’s Piano Concerto No. 18: A Thrilling “Interplay of Instruments”

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Leopold Mozart visited his son in Vienna during the frigid winter of 1785. Over the course of ten weeks, the elder Mozart witnessed a superstar musician at the height of his popularity. In letters, he marveled at the extent to which his son was in demand at prominent venues across the city. Indeed, between 1782 and 1785, Mozart presented two or three new piano concertos each season, establishing “a harmonious connection between an …

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