Strauss’ “Death and Transfiguration”: “From the Infinite Reaches of Heaven”

Richard Strauss’ tone poem, Tod und Verklärung, Op. 24 (“Death and Transfiguration”) grapples with the most fundamental questions of the human experience. What is the nature of life? What lies on the other side of death? What happens in that serene moment of ultimate repose as the soul melts into “the infinite reaches of heaven?” Ironically, this cosmic musical drama, concerned with the twilight of life, was completed in 1889 by the 25-year-old Strauss. …

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George Szell and the Cleveland Orchestra: Five Legendary Recordings

In music one must think with the heart and feel with the brain. -George Szell George Szell was music director of the Cleveland Orchestra from 1946 until his death in July, 1970. During that time, the Hungarian-born Jewish-American conductor transformed the orchestra on the industrial shores of Lake Erie into one of the world’s most esteemed ensembles. He created an orchestra with a distinct sound and style- a seamless blend of European warmth, …

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Music and the Heartbeat

Repetition is based on body rhythms, so we identify with the heartbeat, or with walking, or with breathing. -Karlheinz Stockhausen In 2008, researchers at the University of Illinois medical school discovered that the 103 beat-per-minute pulse of the Bee Gees’ 1977 disco hit Stayin’ Alive provided the perfect tempo for resuscitating the heart through CPR. From the satisfying groove of a disco or techno beat to a Bach Brandenburg Concerto, musical rhythm has long been …

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