Vivaldi

New Release: Vivaldi’s “The Four Seasons,” Rachel Podger and Brecon Baroque

by

English violinist, conductor, and Baroque specialist Rachel Podger has released an invigorating new recording of Vivaldi’s The Four Seasons in collaboration with Brecon Baroque, an ensemble she founded in 2007. This collection of concertos, published in 1725, is so familiar to us today that it’s easy to forget how bold, innovative, and virtuosic this music must have seemed to its first audiences. Accompanied by sonnets, also written by Vivaldi, these works stand as some …

Read more

Remembering Anshel Brusilow

by

American violinist, conductor, and music educator Anshel Brusilow passed away earlier this week. He was 89. Born in Philadelphia in 1928, Brusilow entered the Curtis Institute of Music at the age of eleven, where he studied with Efrem Zimbalist. Between 1954 to 1955 he was concertmaster and assistant conductor of the New Orleans Symphony. In 1955 he moved on to become assistant concertmaster of the Cleveland Orchestra under George Szell. Four years later, Eugene …

Read more

Fabio Biondi Plays Veracini

by

  Italian Baroque composers such as Corelli, Tartini, and Vivaldi have long been associated with the early development of the violin as a virtuoso instrument. Less well known, now, is Francesco Maria Veracini. Born in Florence in 1690, Veracini traveled throughout Europe, dazzling audiences with his violin sonatas and concertos. The English composer and music historian Charles Burney (1726-1814) described Veracini’s playing in 1745: He led the band…in such a bold and …

Read more

Recomposing Vivaldi’s "Winter"

by

As we await today’s meteorological prediction from the groundhog, let’s enjoy the icy sonic chill of “Winter” from The Four Seasons, Vivaldi’s collection of violin concertos composed around 1720. This piece can sound radically different from one performance to another, depending on choices of tempi and style. The concerto’s programatic elements remain: the orchestra’s frigid opening ponticello (a raspy sound created by playing as close to the bridge as possible), flying spiccato bowing suggesting …

Read more

Even Better Than the Real Thing

by

In 1984, a bold, new skyscraper emerged on the Manhattan skyline, which captured everyone’s attention and became the subject of intense controversy. The Chippendale-inspired broken pediment crown of architect Philip Johnson’s AT&T Building shocked the architectural establishment because it so profoundly violated the ruling aesthetic of the day. This bizarre new icon seemed to be cheerfully thumbing its nose at the solemn, modernist glass boxes which surrounded it. Postmodernism was born. Modernism, …

Read more

Vivaldi’s Concerto in A Minor

by

Antonio Vivaldi’s Concerto in A minor, Op. 3, No. 6 is well known to all Suzuki violin students. Vivaldi (1678-1741) contributed to the development of the violin as a solo instrument, dazzling audiences throughout Europe with shocking new sounds. He wrote over 500 concertos. For many years Vivaldi also directed the female music ensemble at Ospedale della Pietà, a school for orphaned girls in Venice. Let’s compare two excellent but contrasting performances. The first is a …

Read more

Julia Fischer Plays “Autumn”

by

The vibrant Fall colors outside my window are a great excuse to listen to Vivaldi’s third concerto, “Autumn” from “The Four Seasons. Antonio Vivaldi (1678-1741) was writing and playing this music at a time when the violin was developing as a virtuosic instrument. There’s a youthful joy in this music, as if he’s saying, “Look what the violin can do!” The key to playing this music well is to make the technical passages sound effortless …

Read more