Timothy Judd

A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. He is a graduate of the Eastman School of Music where he earned the degrees Bachelor of Music and Master of Music, studying with world renowned Ukrainian-American violinist Oleh Krysa. The son of public school music educators, Timothy Judd began violin lessons at the age of four through Eastman’s Community Education Division. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program.

George Enescu and the Sounds of Romania

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Today marks the 139th anniversary of the birth of George Enescu (1881-1955), the great Romanian composer, violinist, pianist and conductor. Pablo Casals described Enescu as “the greatest musical phenomenon since Mozart.” Born in the small town of Liveni, Romania, he entered the Vienna Conservatory at the age of 7 and graduated with distinction before the age of 11. In 1895, he continued his studies in Paris, studying violin with Martin Pierre Marsick and …

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New Release: Michael Torke’s “Being”

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Being, the newest album of American composer Michael Torke (b. 1961), is a celebration of pulse and pattern. Written in 2019 and scored for a chamber orchestra of 24 instruments, the work is described in Torke’s program notes simply as “a continuous 43 minute composition, in 9 parts, whose tempo is a consistent 126 beats per minute.” Being plays tricks with our perception of time, centering us in the moment, and delivering an experience akin …

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Remembering Julian Bream

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Julian Bream, the English classical guitarist and lutenist has passed away. He was 87. Bream played a significant role in promoting the classical guitar as a solo instrument. He expanded the repertoire, inspiring new works by numerous twentieth century composers, including Benjamin Britten, Sir William Walton, Sir Michael Tippett, Peter Maxwell Davies, and Toru Takemitsu. One of the most influential works written for Bream is Benjamin Britten’s 1963 Nocturnal After John Dowland, Op. …

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Henry Eccles’ Violin Sonata in G Minor: Two Contrasting Recordings

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The enigmatic English baroque composer Henry Eccles (1670–1742) is most remembered for his Violin Sonata in G minor. It’s the eleventh in a set of twelve sonatas, published in 1720. Musicologists have discovered that large swaths of the collection were borrowed from the work of the innovative Italian composer and violinist, Giuseppe Valentini, specifically his Op. 8 from 1714. Most of the G minor Sonata appears to have been written by Eccles, …

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Sibelius’ Third Symphony: Classical and Austere

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Jean Sibelius’ music is filled with the magic and mystery of ancient northern woods. It can be simultaneously icy, brusk, brooding, austere, and eternally soulful. Often, it unfolds in a way which feels static and circular, seemingly influenced by Finland’s land of the midnight sun, where the cycle of day and night is replaced by extended periods of light alternating with darkness and gloom. Similar circular, repeating phrases can be found throughout Finnish folk …

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“If Ye Love Me”: Thomas Tallis’ Timeless Motet

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Politics and dogma leave their temporary mark on the shifting sands of history, while music remains eternal. The life of the great English composer Thomas Tallis (c. 1505-1585) is a testament to this idea. While Tallis remained an “unreformed Roman Catholic” throughout his life, he adapted professionally to serve the monarch of the time. He wrote for the Latin Catholic Mass until Henry VIII’s break with Rome. After writing Anglican music, he …

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Jerome Kern’s “All the Things You Are,” Leon Fleisher

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In January we explored Jerome Kern’s extraordinary 1939 ballad, All the Things You Are. It’s one of the most beautiful and harmonically sophisticated songs to come out of the Broadway theater. Allusive and dreamy, it’s a melody which floats from one key to another, taking a magical journey part way around the circle of fifths through a series of continuous modulations. The late Leon Fleisher included his version of All the Things You Are on a 2014 Grammy nominated …

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